1 00:00:00,050 --> 00:00:32,079 After watching these types of texture in those spheres, now we're going to try to get some bubbles, okay, therefore we're going, as we did before, we're going to draw a circle, freehand, freehand, la mano alzada, freehand, as you can see here, okay. 2 00:00:32,579 --> 00:00:39,859 and now we're going to draw some bubbles so we are going to get ourselves a bubbled texture 3 00:00:39,859 --> 00:00:45,009 a bubble bubbled texture 4 00:00:49,710 --> 00:01:00,750 so bubbles are going to be bigger and rounder and rounder in the inside and they're going to get 5 00:01:00,750 --> 00:01:09,950 rather separated but then those circles in the inside those bubbles okay they're going to get 6 00:01:09,950 --> 00:01:20,769 from rounded to more elliptic and that those ellipses they're going to get gradually okay 7 00:01:20,769 --> 00:01:29,269 tighter so that's what we're going to do we're going to draw some ellipses 8 00:01:29,269 --> 00:01:47,260 and they're going to get gradually tighter smaller as you can see here okay and this way 9 00:01:47,260 --> 00:01:55,140 we are going to get ourselves also a three-dimensional perception 10 00:01:55,140 --> 00:01:59,659 we need to be as gradual 11 00:01:59,659 --> 00:02:02,019 and as possible 12 00:02:02,019 --> 00:02:10,750 see 13 00:02:10,750 --> 00:02:13,569 they are going to get 14 00:02:13,569 --> 00:02:15,490 that small and that 15 00:02:15,490 --> 00:02:17,229 tight close to the 16 00:02:17,229 --> 00:02:18,250 borders 17 00:02:18,250 --> 00:02:19,990 to the border 18 00:02:19,990 --> 00:02:26,830 so that 19 00:02:26,830 --> 00:02:28,710 those ellipses 20 00:02:28,710 --> 00:02:30,349 they get 21 00:02:30,349 --> 00:02:32,530 so tight 22 00:02:32,530 --> 00:02:34,009 and so small 23 00:02:34,009 --> 00:02:38,050 that they are basically, mostly 24 00:02:38,050 --> 00:02:41,370 shaping the outline. 25 00:02:42,090 --> 00:02:45,949 The outline. What's the outline? 26 00:02:46,770 --> 00:02:48,969 The outline is 27 00:02:48,969 --> 00:02:55,669 la linea de contorno. Here we go. 28 00:02:55,969 --> 00:02:59,289 Contorno. And it's the outside. 29 00:02:59,509 --> 00:03:03,930 It's la linea de fuera. You could also call it 30 00:03:03,930 --> 00:03:18,830 the silhouette, a silhouette, it's nothing easy to write, sil-o-et, the silhouette, la 31 00:03:18,830 --> 00:03:27,629 silueta, so let's continue on, drawing some bubbles here, and this way, as you can see 32 00:03:27,629 --> 00:03:38,669 here we are going to get ourselves some bubbles okay yet the bubbles we draw here on the outside 33 00:03:40,030 --> 00:03:49,710 also need to see the roundness of it okay doing so as you can see 34 00:03:50,509 --> 00:03:56,830 we did get ourselves again a three-dimensional perception