1 00:00:00,000 --> 00:00:11,529 Gothic art emerged in the 12th century and developed until the 16th, from the Iberian 2 00:00:11,529 --> 00:00:16,550 Peninsula to Scandinavia, from Ireland to the Middle East, spread by the Crusaders. 3 00:00:17,410 --> 00:00:22,670 The origins of this great artistic revolution can be found in the Paris region, in the Abbey 4 00:00:22,670 --> 00:00:28,390 of Saint-Denis. Thanks to Abbot Suger and his overarching idea, the contemplation of 5 00:00:28,390 --> 00:00:35,549 material beauty allows us to rise to the knowledge of God. And this is the key to Gothic architecture. 6 00:00:35,990 --> 00:00:42,070 Its cathedrals and churches seem to rise and seek the sky with the marked verticality of its towers 7 00:00:42,070 --> 00:00:49,950 and its broad soaring naves. Behind this aesthetic change was a great technical revolution which 8 00:00:49,950 --> 00:00:57,030 overcame previous constructive limitations. Ogival or pointed arches form ribbed vaults which would 9 00:00:57,030 --> 00:01:01,350 gradually become more complex until they evolved into fan vaults in England. 10 00:01:03,189 --> 00:01:09,349 Outside, a network of flying buttresses, braces, separated from the wall with pinnacles crowning 11 00:01:09,349 --> 00:01:13,909 them, bore the pressure of the vaults, which allowed these buildings to be built ever higher 12 00:01:13,909 --> 00:01:20,049 and lighter. In contrast to the sturdiness and darkness of the Romanesque, Gothic churches were 13 00:01:20,049 --> 00:01:26,790 suffused with light. Frescoed walls were replaced with massive, colorful stained glass windows 14 00:01:26,790 --> 00:01:31,989 and rose windows that flooded the buildings with light, favoring a mystical experience. 15 00:01:33,189 --> 00:01:37,290 Paintings on the walls, increasingly scarce, gave way to a new medium, 16 00:01:37,849 --> 00:01:42,010 altarpieces, which would become the focal points of the main altars and chapels, 17 00:01:42,010 --> 00:01:46,430 and Gothic sculpture, which came about closely linked to architecture, 18 00:01:46,870 --> 00:01:51,489 freestanding with a hieratic elongated aesthetic to convey spirituality, 19 00:01:51,489 --> 00:01:57,030 would gradually become more naturalistic and realistic, succeeded by portraits. 20 00:02:00,109 --> 00:02:03,230 Gothic art would evolve and adapt in each different territory, 21 00:02:03,849 --> 00:02:08,490 which is why today we speak of classical Gothic and flamboyant Gothic in France, 22 00:02:09,569 --> 00:02:10,710 perpendicular in England, 23 00:02:11,810 --> 00:02:12,930 Manuline in Portugal, 24 00:02:13,729 --> 00:02:15,310 and Isabelline in Spain. 25 00:02:16,189 --> 00:02:20,189 A journey through Spain allows one to view brilliant Gothic architecture, 26 00:02:20,189 --> 00:02:22,469 such as the Cathedral of Burgos, 27 00:02:22,469 --> 00:02:34,289 recently celebrating its 8th centennial, and those of León, Toledo, Cuenca, Palencia, and Girona, 28 00:02:35,009 --> 00:02:41,530 the cloister of the Cathedral of Pamplona, the Church of San Pablo in Valladolid, 29 00:02:42,409 --> 00:02:46,030 the Cathedral of Seville, the largest Gothic church in the world, 30 00:02:46,650 --> 00:02:52,129 and for a civil building, the Lonja de la Ceba, or Silk Exchange, in Valencia. 31 00:02:52,469 --> 00:02:53,349 you