1 00:00:00,690 --> 00:00:05,570 So today I'm going to talk about this girl right here who is Artemisia Gentileschi. 2 00:00:06,030 --> 00:00:12,849 She was a painter and she was born in 1593 in Rome and is the daughter of Horacio Gentileschi 3 00:00:12,849 --> 00:00:14,349 who was a painter too. 4 00:00:14,970 --> 00:00:22,670 In fact, she learned how to paint in her father's workroom and was inspired by Caravaggio who 5 00:00:22,670 --> 00:00:24,870 was a very influential painter at that time. 6 00:00:25,809 --> 00:00:30,269 She was an artist of exceptional talent and you can see that because she was the first 7 00:00:30,269 --> 00:00:36,490 woman to enter the Academy of Bellas Artes of Florence, where Miguel Ángel, who is this 8 00:00:36,490 --> 00:00:44,030 guy, had studied too. She suffered from indifference and rejection from the people around her and 9 00:00:44,030 --> 00:00:50,450 she also overcame the humiliation that most of her paintings and works, if not every work 10 00:00:50,450 --> 00:00:58,490 she had done, were attributed to other men or even her father. Nowadays, last year, she 11 00:00:58,490 --> 00:01:05,590 She was dedicated an exposition in the Braschi Palace, which was called Artemisia and her 12 00:01:05,590 --> 00:01:06,590 time. 13 00:01:06,590 --> 00:01:12,829 And here you can see Susana y los viejos, which is a painting she painted and I'm going 14 00:01:12,829 --> 00:01:15,250 to talk about it later. 15 00:01:15,250 --> 00:01:21,870 So now you'll be wondering why she's famous or why is she important. 16 00:01:21,870 --> 00:01:27,530 Well, everything started with this man right here, who is Agostino Tassi. 17 00:01:27,530 --> 00:01:36,450 He was a painter that was hired with her father, Horacio, to paint the frescoes of the Casa 18 00:01:36,450 --> 00:01:41,730 de las Musas, for example this one that is in the garden. 19 00:01:41,730 --> 00:01:45,709 The frescoes are a type of paintings in the walls. 20 00:01:45,709 --> 00:01:52,030 So they were hired to paint it together and when Horacio got enough confidence to invite 21 00:01:52,030 --> 00:01:58,909 Agostino into his home, Agostino raped Artemisia when she was 18 years old. 22 00:01:58,909 --> 00:02:07,750 So a year later, in 1611, she reported it, but as she had waited so long to do it, people 23 00:02:07,750 --> 00:02:14,349 started thinking it was fake and she only wanted to get attention and eventually everybody 24 00:02:14,349 --> 00:02:17,469 around her thought she was a liar. 25 00:02:17,469 --> 00:02:32,650 In 1612, the 27th of November, 27th, 28th, Agostino was declared guilty of raping her and his sentence was five years of exile. 26 00:02:33,729 --> 00:02:45,050 And here you can see a bit of a book written about the sentence, which says it would be reformulated on the following day, the 28th of November. 27 00:02:45,050 --> 00:02:51,370 and this sentence no longer mentioned the galleys nor the fine of 200 scudi, 28 00:02:51,870 --> 00:02:57,030 which was the coin for Italy back then, 29 00:02:57,310 --> 00:03:00,810 nor even the possibility of reprisals against Horacio Gentileschi. 30 00:03:01,469 --> 00:03:06,370 And though the sentence was confirmed, it was now limited in duration to only five years of exile, 31 00:03:06,830 --> 00:03:13,189 which basically means that most of the things Agostino had to do 32 00:03:13,189 --> 00:03:21,270 to compensate the rape were omitted in the sentence because he was a man so it was less 33 00:03:21,270 --> 00:03:33,650 important. Now she married a guy named Pierantonio Statesi two days after the sentence to recover 34 00:03:33,650 --> 00:03:40,990 her reputation but by the time she married him she portrayed she had already been portraying 35 00:03:40,990 --> 00:03:47,889 women as strong, powerful, heroes, suffering women in her paintings. 36 00:03:47,889 --> 00:03:52,729 For example, Susana and Los Viejos, the one which was in the exposition of the Braski 37 00:03:52,729 --> 00:03:53,729 Palace. 38 00:03:53,729 --> 00:04:02,830 You can see here Susana and two guys wanted to have relationships with her, but she's 39 00:04:02,830 --> 00:04:10,889 portrayed as a powerful woman that was rejecting them and you can see that she's not even thinking 40 00:04:10,889 --> 00:04:19,569 about saying yes. But her most famous work is Judith decapitando Olofernes and the story 41 00:04:19,569 --> 00:04:28,170 behind this painting is Olofernes, who was a general of the Assyrians, which was a zone 42 00:04:28,170 --> 00:04:36,670 in northern Mesopotamia, wanted to have sex with Judith but she didn't, so when he got 43 00:04:36,670 --> 00:04:45,930 drunk and fell asleep, she and her servant beheaded him. So some 44 00:04:45,930 --> 00:04:51,610 psychological studies say that this picture is believed to be a sign of 45 00:04:51,610 --> 00:04:59,889 revenge for Agostina's rape because the strokes are made with violence so people 46 00:04:59,889 --> 00:05:11,569 belief, she made it to show revenge to Agostino. So later, when she died in 1654 in Naples, 47 00:05:11,569 --> 00:05:16,910 she was forgotten, all her paintings were forgotten, her rape was forgotten, everything 48 00:05:16,910 --> 00:05:24,649 was forgotten about her, but then in mid 20th century, not until then, did she start getting 49 00:05:24,649 --> 00:05:36,810 appreciation by the people again and even in 1960 and 1970 between those decades she was a symbol of 50 00:05:36,810 --> 00:05:44,170 a gender fight and an icon of feminism so that was all and i hope you enjoyed