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🎵

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soy pilar tutora del segundo c y aquí estoy como un grupo de alumnos que

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representan a todo el grupo a mi derecha tengo a rubén buenos días

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buenos días a su lado está nuria aquí a mi izquierda tengo a gonzalo buenos días

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y por último tenemos a la delegada de sire

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Well, we are going to talk about the International Women's Day, specifically about the work that we have done, but first I would like to ask you some small questions and so you will get to know each other.

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Is it a special day for you, March 8th?

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Yes.

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Yes, yes.

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Yes, very special.

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Have you done any kind of activity in other academic fields or at a personal level?

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Let's see, the best thing I could do is go to the demonstrations.

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Okay, very good. Who else?

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I also went to some demonstrations, and also in the mystery I was interested in discovering more women hidden in history.

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And you, Gonzalo, have you done something special?

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Well, at least this is the first time I do something related to that, and I'm very happy.

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Well, very well. This year we have proposed throughout the course, although I have always been doing this activity for more than 20 years with all my students who work on March 8th.

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This year we have proposed what we had as an activity, the women artists, which arose after a reflection the first year that I arrived with Alicia,

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that we concreted with Silvia and with Víctor Fernández in an activity for didactic unity,

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last year I reconsidered to stop seeing the woman as something exceptional,

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that is, as one more artist, in such a way that this year they have been able to work

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desde el renacimiento hasta ahora, el siglo XIX,

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las artistas como un artista hombre más.

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Entonces, no sé qué les ha parecido un poco este planteamiento.

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¿Qué me podéis decir?

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Pues que ha sido bastante interesante esta actividad,

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porque no en todos los sitios lo hacen,

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y creo que debería de ser una actividad que tendrían que hacer todos los centros educativos.

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to get more information from those women who have been hidden or despised, so to speak,

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to leave a little fame to men.

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Well, they also have that great talent that characterizes men.

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Anyone else?

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Yes, I totally agree with my partner and in fact, before we commented that I am very excited

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for the simple fact that there are missing women in education.

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It seems to me that when classes are taught, I miss more artists.

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Yes, no, and that was the reflection, right?

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That when Alicia and myself

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we saw that the notebook, not in the notebook, right?

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That you already know that it is with which I work.

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In the notebook we saw that that presence was missing, right?

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So, well, we focus on it, especially in art,

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Because if you realize, there are few male characters that I work with them.

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We had already worked with Greta in the first unit, do you remember?

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That one was like the activity that I continue to maintain.

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I don't know if you would like to talk about any of those artists.

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I remind you a little who they were.

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We had talked about, let's see, Serafín Luis, representative of the Naive movement.

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berta marisol representative of impressionism julian margaret cameron who was chosen very

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intentionally as a photographer representative of romanticism because what I want to tell you

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is that from the minute one that photography was born in the 19th century there they are totally

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that is to say there are photographers already with prestige in the 19th century among them one is julia

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margaret and then we also saw marianne collot luisa roldán and sophonis van guisola I do not know

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if you feel like commenting on some of them or simply good I have tried to choose painters and

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sculptors and for the first time for the twentieth century I have chosen an architect who is an area

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in which they are incorporated later no yes well yes I as I said it seemed very very interesting

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interesante porque yo ya había cursado este este nivel y nunca nunca nunca nos habían hablado de

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más mujeres jamás muy bien y como digo a mí me encanta conocer la historia y me parece fatal lo

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que decía decir que hayan quedado como olvidadas no y pues me parece muy interesante bien antes de

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que nos hablen ellos de las fotógrafas el trabajo que hemos realizado este año la raíz el origen es

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It's a course that I did last year, excellent, with an excellent speaker.

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And when I finished it, I was clear that this year the International Women's Day was going to be about photographers.

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So I'm going to ask you a little bit about what you think about the realization of the activity.

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That is, the approach, which is not very far from what we propose in the art workshop.

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a little bit that sheet that you have made and that is exposed in the second floor,

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whoever wants to come to see them, there are 45 photographers and they share that work with everyone who wants to see it.

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I don't know what you thought of it, just what the job is, the proposal, the job on the computer.

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I liked it a lot because I also noticed a little like the difference that

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artists have and the artists of plasma luck in plan what I have seen is that men artists tend

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more to greatness to highlight that kind of things and women tend more to intimacy to show

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reality as it is, to their daily life, to what is close, and it is something that I really like.

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Yes, what about you Nuria, what did you think of the work? It was very interesting, when I studied in my time,

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there was no talk of women directly, all the artists that we gave were men,

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I did not know that there were so many female artists. Very well Gonzalo, what did you think of the

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the activity proposed for my part has seemed quite interesting to me not because of the fact that

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as I was telling you before, it is to give a voice, not to let so many artists know that there are women and that

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not as my colleagues say, they do not talk about them or perhaps they do not stand out and it is

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algo importante también hacer darlas a conocer si a mí una de las cosas ahora ahora sigue decide

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una de las cosas que me sorprende cuando leo sus biografías cuando leí la de sofón isma para

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prepararlo y porque me interesa es que ella sí fueron famosas oberta marisol fueron famosas en

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su época lo que pasa es que el tiempo ha ido como olvidando las no y entonces bueno pues ahí la

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importancia de volver otra vez a rescatarlas que te pareció la actividad

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de sire así me gusta porque soy una persona que es muy curiosa y cuando me

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interesa algo necesito encontrar todo detalle lo más curioso ha sido que yo

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elegía es a esta fotógrafa helen levitt sin conocerla mucho pero me da de

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cuenta de que hay muchas similitudes entre ella y yo muy bien de eso vais a

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And I also want to say with respect to the exhibition is that the work is not only of the second C group, the work is also of all those of my students of level 2, also of the second A, of the second E and of the second F.

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y desde aquí aprovecho sobre todo para decir que me siento muy orgullosa

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que yo a la hora que se ponen a trabajar estoy muy encima de ello

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que soy muy quisquillosa

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porque después yo les quiero hacer el regalo de esa exposición

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para poner en valor ese trabajo que han realizado

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no solamente lo han conocido sino que se han molestado

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en una buena presentación

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y todos ellos lo han hecho excelentemente

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So now we are going to talk about the different photographers, each one of them is going to talk to you.

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First of all, Gonzalo is going to participate with Barbara Kruger.

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What can you tell us about Barbara? Because she is a photographer who, if you look at the different files they have made, is very different.

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What can you tell us about her?

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Well, commenting a little about Barbara Kruger, she is an American who was born at the end of the Second World War in 1945.

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She studied graphic design and, as a curious fact, she was very good at her job.

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work did not rise quite quickly until she became head of her department but there was

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something that bothered her that is, she worked for a fashion magazine but there was something that bothered her

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not that it was because what they sold is not what the magazines taught their readers those images

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of an unreachable reality that was not according to reality, that the readers saw those images or

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saw those bodies and of course I see those bodies and well I want to be like them, I love

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those bodies, I love to look like them but it is really something very difficult or something unreachable

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Entonces, ella le molesta eso y decide comenzar a incorporar a las imágenes frases, unos pies de letras, unas palabras en cada imagen.

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to give a message. I knew that she loved poetry, and she liked it in those images that she created,

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to give messages to make people reflect on her art.

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Can you tell us some? Because they will see it, right?

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Those who see the files in the exhibition will see that there are some messages, right?

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¿Nos puedes decir algunos que ponía?

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Pues si me puedes ayudar, porque yo por el inglés...

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No lo sé, vamos a ver, ¿no?

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Sé tú mismo, la de esa de, ¿no?

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De saberse de tú mismo.

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Claro, de ser tú mismo.

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Piensa en ti, ¿no?

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Es decir, que ella los va poniendo sobre esa, sobre esa imagen.

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Claro.

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¿Sí?

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Eso es.

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Muy bien.

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Y bueno, ¿qué más te puedo contar de ella?

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Ah, bueno, un poco, sí, que...

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A ver, todas las fichas de la exposición están en blanco y negro,

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pero ella trabaja en un formato muy concreto.

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¿Qué color predomina en sus fotografías?

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Principalmente usa palabras blancas sobre un fondo rojo.

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Y eso es algo que llama bastante la atención

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porque para dar más importancia a lo que está transmitiendo en esas letras.

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Sí.

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Y bueno, como dato así curioso de su arte,

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no es utiliza mucho el arte que se denomina apropiación ismo el utilizar imágenes de otros

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artistas y cambiar con completamente lo que intenta expresar el artista a lo que ella

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quiere pues expresar con sus letras con sus con lo que ya implementa bueno en segundo lugar va a

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participate Nuria specifically with Sofía Calle who is also an artist who already

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before she commented on it, she protagonizes a novel by the North American writer

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Paul Auster specifically Leviathan who is inspired by her and is inspired by her work

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not because we are also against a different photographer specifically before the one of Gonzalo

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what can you tell us about her? Well, Sophie was born in Paris in 1953 and she decided to be an artist

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because she was inspired and influenced by her father's friends who were artists and apart from

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being a photographer, she was a writer and director of cinema and the main object of her work

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is intimacy, and in particular his own. He likes to follow people

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on the street, strangers, and take pictures of them, and he also has a series of works

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dedicated to blind people. But what changed, what marked a before and after in his work

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was that he knew well he knew he attended a party in venice and a man called his attention and

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he dedicated himself to following him through venice for 14 days without him realizing it and taking

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photographs, that is, it is how he likes to show the intimacy of people very well in

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third place he is going to participate in siri in this case he is going to talk to us about helen levitt different

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very different from the other two, which are conceptualist photographers, the two, because yours

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focuses above all on documentary photography and focuses above all on a city and on

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very specific characters. Yes. Well, tell us. He was born in August 1913 in the city of New York and

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curiously he also died in the city of New York in 2009, which we say is here next to it.

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His photographs were centered in black and white, but later he decided to adapt to color, to show the colors of the world around us.

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As I said about New York, he focused on his hometown, on showing the neighborhoods in those years, we could say 50, somewhere.

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And above all, it also focused on children, showing how they spent their free time on the streets, how they went with their parents.

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There are also photographs that showed adults, the lives of people who were also discriminated against in those years, such as people of color.

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And also many of very advanced ages, very advanced age characters.

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It is also curious that at the end of the 40s, in 1940, he had his contact with someone who is very recognized,

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not in this case, we can not talk about women, but he is a recognized man with great talent,

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who is Luis Buñuel, Spanish, but he had to move to Mexico City.

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and then he also has his recognitions for his great talent, for example in the MoMA,

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knowing the museum, he has his exhibition there, then I was curious a little before coming and

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all that and I also realized that in the Fort One Museum in San Francisco he also has another

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exposition que a mí me encantaría seguir manteniendo la y por último hay que

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detallar que recibió la nominación no puede ganarlo pero recibió la

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nominación por el documental de white one que lo hizo junto a otra mujer que

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también se queda pues posiblemente no haya tanta importancia en ella ya ni

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and James Agri, who was also part of the project.

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There is a possibility of seeing photographic exhibitions,

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not only in Alcalá, but obviously in Madrid,

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and then there is a date, which is the one of Photo España,

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where they choose very different sites where you can see.

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So I hope you enjoy this work,

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ver este tipo de exposiciones

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vamos a cerrar con Rubén

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y en concreto

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él ha realizado

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una ficha sobre Diane Arbus

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también nos puede hablar

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que creo que puede sobrar

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unos minutillos

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de Ede Arnold

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porque ayudó a una compañera

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a Paola a terminar

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y hacer la ficha

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entonces vamos a empezar primero por Diane

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que nos puedes contar de ella

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pues Diane

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His birth name was Dayan Nemerov and he was an American photographer known for his portraits of people outside of normativity.

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His themes included dissident people such as people with functional diversity, neurodivergent people, prostitutes,

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circus workers and other human beings in a situation of marginality, such as the

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LGTB collective, black people, etc. Their photographs were very, very direct and were seen by

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many as a social criticism of the life of the United States in the 1960s.

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Among their styles we can find photo-journalism, documentary, photographic essays,

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narrativos temas controvertidos como ya he comentado y fotografías tanto en blanco y

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negro como sepia establecía una relación muy fuerte con sus modelos a menudo tratando de

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conocerlos antes de tomar las propias fotografías entonces o sea tiene hasta desnudos y todo de

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esas personas y pudo fotografiar a las personas sin su máscara en plan podía fotografiar a las

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people to the natural as they were and the truth is that it seems to me something

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incredible and finally mention that his work was recognized by institutions

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like the biennial of venice and the mom among others

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does not only seek that it is that physical appearance not only what is the

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image but to go to more to the inner world not to go much more and that contact

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she really had I don't know if you want to tell us something about because you see it is very different it

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belongs to the magnum agency the magnum agency that was born in 1947 which is an international

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photography agency with headquarters in new york in london in paris and in tokyo and a good part of the

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imágenes del siglo 20 de hechos históricos pertenecen a esta agencia no sé si también

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te has preparado una cosilla pues cuenta nos cuenta pues arnold nacida en el año 1912 falleció

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en el 2012 llegó a cumplir los 100 años fue una fotógrafa estadounidense muy muy conocida y fue

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one of the first photographers in the world and won numerous awards and awards and his works

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are exhibited in a lot of museums is very different from the other artist we just

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talked about because she specialized especially in portraits of famous people and in fact it was

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the most famous works of this woman and photographed people like merlin monroe who

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is the artist who has the most photographs then malcolm x and margaret thatcher used

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the style of unique portrait and combined sensitivity and humility with strength and

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enthusiasm and used many angles and techniques as well as lenses to capture the perfection of the

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image and well as we see it is very very different these two artists are very different from one

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de la otra pero las dos muestran cosas muy importantes el moma de nueva york en concreto

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es el museo que marca realmente los estilos fotográficos desde el mismo momento no sobre

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todo a lo largo del siglo 20 y hasta nuestros días no un poco es quien dice quién es quién

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estamos entonces bueno pues en principio no sé si ellos quieren comentar algo más no bueno

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invite you again to the exhibition that is in a walk and I would like to finish in

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specific I have used different sources to look for photographers I know some but

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of course I do not know 45 we are going to be chinteros now so I know many more and from where

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I liked a little bit what he said and it can be like this ending.

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This article says that from the field of photography we make votes

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to move forward without stopping towards the permanent eradication of all forms of discrimination against women.

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Happy 8th of March, International Women's Day.