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Thank you.

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no place, space within the city where its accelerated rhythm makes people

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be and at the same time not be. In the great metropolises people experience small

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enclaves, in their work itineraries, consumption or entertainment. The experience of the urban,

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solidarity and sense of belonging.

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Marc Augé is a French anthropologist who studies the relations between individuals

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and between groups of individuals in spaces where this relationship is given with difficulty

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or basically it is not given.

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There can be examples of that, the airports, a hotel room, a road, all the places where the individual consumes the space with another purpose in reality, and that basically he wants to escape from there as soon as possible.

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Those are the no places.

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Following a little what O.G. says and contrary to what architects grew up in the 60s and 70s,

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identity is not typical of the architecture itself, of the buildings, of the spaces,

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but it is something that is typical of individuals and groups of individuals.

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Therefore, instead of associating an identity, an image or a historical memory of what was once architecture,

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I would try to generate the conditions for the new identities to take place,

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or going back to what Marc Augé says, for the relationships between individuals to give way to new identities.

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In other words, I would promote the new relationships.

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The non-places fit together and that's why they tend to look alike.

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The airports look like the highways, we watch the television on the planes,

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we listen to the news filling the tank of our car in the gas stations,

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which look more and more like the supermarkets.

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In the loneliness of the non-places you can feel in an instant freed from the weight of relationships,

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but we do not imagine that it can last more than a few hours.

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The black version of the non-places would be the transit spaces where we eternalize ourselves.

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The French anthropologist Marc Aubé defined identity as a construction

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at an individual level through experiences and relationships with others.

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According to the belonging of human beings to the different social groups,

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different identities are cultivated.

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If we remember the previous definition of identity,

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we see that human beings are the owners of identity,

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while places and non-places are nothing more than spaces in time.

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It could not be said that identity is sought,

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the following phrase, for example, by Mark O'Gay,

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can help us to understand it.

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There is no identity without the presence of others, there is no identity without alterity.

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I will lengthen my arms like branches and with them I will surround the sea.

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Your fantasies and that afternoon in which for the first time from a drop of water the fire was born.

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I will lengthen my arms and you let me defend the loneliness with which I write each verse.

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Cada tarde, cada océano acurrucado en las sombras de tu cuerpo

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Alargaré mis brazos muy callado y regresaré

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Al mismo silencio donde siempre te recuerdo

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Las mismas veces que te olvido

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El no lugar donde te sueño

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Ese no lugar donde te sueño es tu voz

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Sobre las olas meciendo la tristeza

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El amor invisible que navega a tu lado

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Sin apenas rozarte

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What has influenced you the most in your work?

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I think it has influenced me very positively.

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Both the artist and the poet.

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Because the poet, through the non-place,

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begins to create images,

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begins to create synestheses,

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that leads the sounds to new spaces.

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And those new spaces are places that are created

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and also spaces that are not yet created, that we do not imagine.

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And that creates a clash between the spectator and the creator himself.

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And there are many people who do not understand it.

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However, throughout literature, let's say Beckett, Samuel Beckett,

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the absurd theatre has many connotations of non-places.

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Let's say the work of Waiting for Godot by Beckett are characters who are always walking in a non-place and waiting for something unreal that they believe is going to come, which is Godot.

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It is a symbol that we have been working on throughout literature, but it is philosophical.

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Only Godot can be death, it can be God, it can be happiness, but that Godot never arrives.

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And they are in that space, in that space, going around and around.

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That is a non-place, it is a place of waiting, like Fan Duilis with Arrabal.

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And then there are the places of the mind, the places to which we go without wanting the artists,

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musicians, dancers, dramaturgs, architects, etc.

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they take us by accident, don't they?

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For example, Alicia in the Land of Wonders,

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Lewis Carroll, put Alicia in a dream.

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That's a non-place, a dream.

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Music takes us to dreams too.

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When someone starts playing a piano,

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we move and we go to non-places unintentionally.

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Or a painting. A painting doesn't have to be located in a house, in a forest, no.

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I mean, that painting can take me to a place, to a non-place.

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We create those places ourselves, and there they are, we are surrounded by non-places.

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A theatre without representing a work of theatre or without having anything there is a non-place.

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And it starts to be a place, it starts to be a theatre when something is being represented.

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And it is not necessary that in that representation there are defined spaces

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or there is an aristotelian unity of action, time and place.

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No, it simply begins to take shape, it begins to take life when there is something there.

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There is something in motion or not in motion, simply the spectator is the one who sees,

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the one who looks and the creator, the artist, is the one who offers and the one who gives.

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That's when communication or place can be made.

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The concept of place or non-place is created by us

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throughout the creation and liberation of spaces.

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Individually, we can make an effort to appreciate

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those forgotten corners as hidden secrets

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and thus create a new place.

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The non-places are nothing more than places that,

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covered, remain in oblivion.

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To forget to

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A little like you

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Smile

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A little like you

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Remember

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To forget to

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I'll just remember

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To forget to

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Just remember