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Now the third way is what one might call pure cinematics, the assembly of film, and how it can be changed to create a different idea.

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Now we have a close-up. Then we show what he sees. Let's assume he saw a woman holding a baby in her arms.

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Now we cut back to his reaction to what he sees, and he smiles.

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Now what is he as a character? He's a kindly man. He's sympathetic.

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Now, let's take the middle piece of film away, the woman with the child,

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but leave his two pieces of film as they were.

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Now we'll put in a piece of film of a girl in a bikini.

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He looks. Girl in a bikini. He smiles. What is he now? The dirty old man. He's no longer the benign gentleman who loves babies. That's what film can do for you.