1 00:00:16,620 --> 00:00:45,710 They will feel illusions 2 00:00:45,710 --> 00:00:48,530 Never have enough 3 00:00:48,530 --> 00:00:52,270 It's only easy 4 00:00:52,270 --> 00:00:55,250 That's all you can get 5 00:00:55,250 --> 00:00:58,469 That's where you fall 6 00:00:58,469 --> 00:01:01,890 That's where you stay 7 00:01:01,890 --> 00:01:07,230 Have you ever felt a strong debt? 8 00:01:09,629 --> 00:01:13,390 Feeling like there is no escape 9 00:01:41,260 --> 00:01:45,260 or make the CDs of the audio books. 10 00:01:45,260 --> 00:01:48,260 First you have to think about the music and it is correct, that is to say, 11 00:01:48,260 --> 00:01:52,260 when I got into this, the first thing I did was my vocation for the music, 12 00:01:52,260 --> 00:01:56,260 but until I can make money just for the music, 13 00:01:56,260 --> 00:02:01,260 I have to do many other types of work and that always happens in many professions. 14 00:02:01,260 --> 00:02:11,259 A recording studio, no matter what year it is, has been composed of two parts, minimally. 15 00:02:11,259 --> 00:02:14,259 And one is this, which is the control, okay? 16 00:02:14,259 --> 00:02:18,259 And then the other room, which is usually called the fishbowl, or the room where it is recorded. 17 00:02:18,259 --> 00:02:23,259 There may be one, there may be three, there may be four, there may be an immense one, okay? 18 00:02:23,259 --> 00:02:24,259 So that a band fits. 19 00:02:24,259 --> 00:02:30,259 When I started in this, you arrived at a recording studio and you found a room like this, so clean. 20 00:02:30,259 --> 00:02:35,259 You would find the typical big table full of channels, 21 00:02:35,259 --> 00:02:38,259 the channels were called faders, ok? 22 00:02:38,259 --> 00:02:41,259 And that's where the signal passed and you mixed it with that. 23 00:02:41,259 --> 00:02:44,259 Today we work with computers. 24 00:02:44,259 --> 00:02:46,259 I have the computer right there, right now, down there, ok? 25 00:02:46,259 --> 00:02:48,259 In this case it is a Macintosh. 26 00:02:48,259 --> 00:02:52,259 The signal that is there passes through these drawers, 27 00:02:52,259 --> 00:02:56,259 it is processed, it passes from a tiny, tiny signal 28 00:02:56,259 --> 00:02:59,259 that comes out of a microphone that captures a wave 29 00:02:59,259 --> 00:03:07,259 that moves some molecules in the air, captures that sound wave and passes it through a very fine electrical signal, 30 00:03:07,259 --> 00:03:14,259 to understand it, very thin, very thin, enters here, comes to this, which is a patch panel, okay? 31 00:03:14,259 --> 00:03:20,259 So, that little signal that comes from the microphones, comes here to the previous microphones and is amplified, 32 00:03:20,259 --> 00:03:27,259 and it already has a large signal with which we can work in order to have standards for television, 33 00:03:27,259 --> 00:03:35,580 in front of a music disc and once it enters we register it that is to say that it is recorded 34 00:03:35,580 --> 00:03:42,800 in a support that is called disc 1 I now around here to talk around here I am generating I am moving 35 00:03:42,800 --> 00:03:48,199 the air that movement of the air generates in a membrane that is here that if you approach it you can 36 00:03:48,199 --> 00:03:56,719 move a little lucidly it generates a movement that movement is transmitted by a transducer 37 00:03:56,719 --> 00:04:04,340 it is transmitted so that we understand it and it passes through the cable and to show the microphone 38 00:04:04,340 --> 00:04:09,719 chiquitita here we follow the cable and you see that there is a little box that is here in the box 39 00:04:09,719 --> 00:04:16,220 where it is called the box and that is communicated directly with the patch panel that is shown 40 00:04:16,220 --> 00:04:22,100 on the other side, this microphone is a condenser, the condenser microphones work 41 00:04:22,100 --> 00:04:28,100 They are this kind of microphones that are used in the studio and that are used with anti-pop in the case of recording voices. 42 00:04:28,100 --> 00:04:33,100 Normally when you record electric guitars or that kind of stories, they don't generate pop, 43 00:04:33,100 --> 00:04:38,100 so they generate distortion, but they are going to generate it from that moment on during the whole recording, 44 00:04:38,100 --> 00:04:41,100 so you already adjust the distance in the microphone, okay? 45 00:04:41,100 --> 00:04:49,100 And all this is designed like this to generate that the waves that I will play through the speakers come here, 46 00:04:49,100 --> 00:04:52,100 If I go to the corners, where there are some serious traps, 47 00:04:52,100 --> 00:04:55,100 I say to myself, here it is all as if they were teeth, 48 00:04:55,100 --> 00:04:57,100 because the teeth what they do is break the wave, 49 00:04:57,100 --> 00:05:00,100 this in part absorbs it, breaks it, bounces it, 50 00:05:00,100 --> 00:05:03,100 here there are absorbent things and there are like a thousand layers. 51 00:05:03,100 --> 00:05:08,100 Really what is done, for you to know, is a cube inside a cube, 52 00:05:08,100 --> 00:05:10,100 but that cube that is inside a cube, 53 00:05:10,100 --> 00:05:14,100 in principle, it does not have to be touching anything with the cube outside. 54 00:05:14,100 --> 00:05:23,420 I have worked with many famous and unknown artists. 55 00:05:23,420 --> 00:05:29,420 Cracovia, Pinilla Bombismo, Algo Suena, Chica que hace burlesque. 56 00:05:29,420 --> 00:05:33,420 Cracovia's album was recorded here. 57 00:05:33,420 --> 00:05:38,420 The Zombie Kids were here the other day recording the bass for their new album. 58 00:05:38,420 --> 00:05:44,420 Look, there was also a monkey here recording the percussion. 59 00:05:51,420 --> 00:05:54,420 We need the helmets, put them on, okay? 60 00:05:55,420 --> 00:06:07,649 Happy birthday to you, happy birthday to you 61 00:06:07,649 --> 00:06:14,629 We wish you all a happy birthday 62 00:06:14,629 --> 00:06:18,629 I love you, come on, please 63 00:06:18,629 --> 00:06:23,910 We are doing a test for the old Netherlands, for the group Convenios 64 00:06:23,910 --> 00:06:29,829 Okay, and what's your name, how old are you and from which institute are you? 65 00:06:30,569 --> 00:06:36,110 My name is Viviana, I'm 16 years old and I'm from the Fortuny Institute 66 00:06:36,110 --> 00:06:42,110 This is the sequencer, and this is called the Arrange window. 67 00:06:42,110 --> 00:06:46,110 Arrange in English is where I place things. 68 00:06:46,110 --> 00:06:53,110 If you notice, here I have some bricks called tracks. 69 00:06:53,110 --> 00:06:58,110 This reminds me of what I was telling you about the studios here. 70 00:06:58,110 --> 00:07:01,110 This is the soundboard. 71 00:07:01,110 --> 00:07:08,110 With some commands, I can also see the wave there, okay? 72 00:07:08,110 --> 00:07:11,110 And that's what you have done in this case. 73 00:07:11,110 --> 00:07:14,110 An equalizer is used to manipulate frequencies, okay? 74 00:07:14,110 --> 00:07:16,110 So now let's see what an equalizer does. 75 00:07:16,110 --> 00:07:19,110 We are doing a test for Aliaj Holanda, for the Comel group. 76 00:07:19,110 --> 00:07:21,110 Look, it gave an equalizer. 77 00:07:21,110 --> 00:07:23,110 We are doing a test for Aliaj Holanda. 78 00:07:23,110 --> 00:07:26,110 And here it is indicating two things in this graph. 79 00:07:26,110 --> 00:07:36,069 here the frequency is worth that is from 20 to 20 thousand ok and the amplitude ok this is zero 80 00:07:36,069 --> 00:07:44,350 you must that is what the amplitude of the wave is measured but the voice normally that covers this 81 00:07:44,350 --> 00:07:50,870 width that is to say from 200 to 5,000 really reproduces more than 5,000 but it is let's say what our 82 00:07:50,870 --> 00:07:56,629 is able to reproduce because for example when you are listening to the voice you hear 83 00:07:56,629 --> 00:08:01,269 different and when you talk probably well that is what we are talking about we are 84 00:08:01,269 --> 00:08:06,709 listening to each other inside really the voice that we hear is not the real one really the 85 00:08:06,709 --> 00:08:10,990 real ones are the ones that listen to the rest is worth because it is the one that this is reproducing ok 86 00:08:10,990 --> 00:08:12,990 Here is your voice. 87 00:08:18,990 --> 00:08:20,990 You are tuning the pole. 88 00:08:20,990 --> 00:08:22,990 The singer. 89 00:08:22,990 --> 00:08:26,990 Can you open a program for me? 90 00:08:26,990 --> 00:08:32,990 Let's see what helps us to tune the voice. 91 00:08:32,990 --> 00:08:42,490 Do you see here that this moves? 92 00:08:42,490 --> 00:08:47,490 That's what it does, I'm putting it so that the voice is tuned to C, I'm not a musician, 93 00:08:47,490 --> 00:08:51,490 but the voices are tuned to a note, that is, to a frequency that is repeated. 94 00:08:51,490 --> 00:09:47,100 Let's see what happens.