1 00:00:00,300 --> 00:00:08,099 talk to you briefly about perception. When he was writing the plays and the short stories 2 00:00:08,099 --> 00:00:16,960 that would make his name, Anton Chekhov kept a notebook in which he noted down his observations 3 00:00:16,960 --> 00:00:25,460 of the world around him, little details that other people seemed to miss. Every time I 4 00:00:25,460 --> 00:00:34,159 read Chekhov and his unique vision of human life, I'm reminded of why I, too, became a 5 00:00:34,159 --> 00:00:41,460 writer. In my books, I explore the nature of perception and how different kinds of perceiving 6 00:00:41,460 --> 00:00:52,100 create different kinds of knowing and understanding. Here are three questions drawn from my work. 7 00:00:52,100 --> 00:00:54,740 rather than try to figure them out 8 00:00:54,740 --> 00:00:58,359 I'm going to ask you to consider for a moment 9 00:00:58,359 --> 00:01:01,539 the intuitions and the gut instincts 10 00:01:01,539 --> 00:01:04,260 that are going through your head and your heart 11 00:01:04,260 --> 00:01:05,340 as you look at them 12 00:01:05,340 --> 00:01:08,879 for example the calculation 13 00:01:08,879 --> 00:01:12,000 can you feel where on the number line 14 00:01:12,000 --> 00:01:13,900 the solution is likely to fall 15 00:01:13,900 --> 00:01:16,879 or look at the foreign word and the sounds 16 00:01:16,879 --> 00:01:20,019 can you get a sense of the range of meanings 17 00:01:20,019 --> 00:01:21,959 that it's pointing you towards 18 00:01:21,959 --> 00:01:29,819 And in terms of the line of poetry, why does the poet use the word hare rather than rabbit? 19 00:01:31,680 --> 00:01:41,459 I'm asking you to do this because I believe that our personal perceptions, you see, are at the heart of how we acquire knowledge. 20 00:01:42,400 --> 00:01:53,099 Aesthetic judgments, rather than abstract reasoning, guide and shape the process by which we all come to know what we know. 21 00:01:54,159 --> 00:01:56,299 I'm an extreme example of this. 22 00:01:57,079 --> 00:02:03,519 My worlds of words and numbers blare with color, emotion, and personality. 23 00:02:04,439 --> 00:02:08,659 As Juan said, it's a condition that scientists call synesthesia, 24 00:02:09,259 --> 00:02:11,840 an unusual cross-talk between the senses. 25 00:02:13,599 --> 00:02:20,080 Here are the numbers 1 to 12 as I see them. 26 00:02:21,060 --> 00:02:24,219 Every number with its own shape and character. 27 00:02:24,840 --> 00:02:26,620 One is a flash of bright light. 28 00:02:27,199 --> 00:02:31,599 Six is a tiny and very sad black hole. 29 00:02:32,460 --> 00:02:34,719 The sketches are in black and white here, 30 00:02:34,719 --> 00:02:36,719 but in my mind, they have colors. 31 00:02:37,680 --> 00:02:41,419 Three is green, four is blue, five is yellow. 32 00:02:42,860 --> 00:02:49,460 I paint as well, and here is one of my paintings. 33 00:02:50,840 --> 00:02:53,280 It's a multiplication of two prime numbers, 34 00:02:55,039 --> 00:02:56,300 three-dimensional shapes, 35 00:02:56,900 --> 00:03:01,819 and the space they create in the middle creates a new shape, 36 00:03:02,539 --> 00:03:03,580 the answer to the sum. 37 00:03:04,960 --> 00:03:06,719 What about bigger numbers? 38 00:03:07,180 --> 00:03:11,180 Well, you can't get much bigger than pi, 39 00:03:11,180 --> 00:03:13,300 the mathematical constant. 40 00:03:13,300 --> 00:03:16,759 It's an infinite number, literally goes on forever.