1 00:00:00,050 --> 00:00:29,559 My name is Letizia Treves and I am the James and Sarah Sassoon Curator of the later Italian, 2 00:00:30,019 --> 00:00:33,880 Spanish and 17th century French paintings here at the National Gallery and I'm absolutely 3 00:00:33,880 --> 00:00:39,799 delighted to talk to you today about our new acquisition, this self-portrait as Saint Catherine 4 00:00:39,799 --> 00:00:45,399 of Alexandria by Artemisia Gentileschi. Now Artemisia is without doubt the most celebrated 5 00:00:45,399 --> 00:00:50,219 female artist of the 17th century and it has been on our wish list here at the Gallery 6 00:00:50,219 --> 00:00:55,560 to have a painting by her for a very long time and we're delighted to have had the opportunity now 7 00:00:55,560 --> 00:01:01,479 to buy this newly discovered work and not only is it a work by Artemisia but the fact that we have 8 00:01:01,479 --> 00:01:07,159 a self-portrait of the artist as well. It seemed like an opportunity too good to miss for us. 9 00:01:07,980 --> 00:01:12,680 Like Caravaggio, Artemisia Gentileschi's life story has somewhat overshadowed her artistic 10 00:01:12,680 --> 00:01:18,400 achievements. In 1611, when she was just 17, something happened that really changed her life 11 00:01:18,400 --> 00:01:20,719 both professionally and personally. 12 00:01:21,120 --> 00:01:23,560 She was raped by the painter Agostino Tassi, 13 00:01:23,640 --> 00:01:26,599 who was a collaborator and acquaintance of her father's, Orazio. 14 00:01:27,000 --> 00:01:30,120 He'd been brought in to teach Artemisia the art of perspective. 15 00:01:30,659 --> 00:01:34,400 A long trial followed, and we know the details of that trial 16 00:01:34,400 --> 00:01:38,019 because the documents survive, and we know that Artemisia was tortured 17 00:01:38,019 --> 00:01:41,439 and she was subjected to really grueling questioning. 18 00:01:42,760 --> 00:01:46,040 Tassi was prosecuted, but his punishment was never enforced, 19 00:01:46,040 --> 00:01:51,420 And so Artemisia was married off quickly to a Florentine artist shortly afterwards, 20 00:01:51,599 --> 00:01:53,280 and she left Rome for Florence. 21 00:01:53,480 --> 00:01:57,280 And it's in Florence that she arrives in 1612 as a young woman, 22 00:01:57,760 --> 00:02:02,879 and it's the first chance that she can work outside of the shadow of her father as well. 23 00:02:03,159 --> 00:02:06,280 And it's from this period in Florence between 1612 and 1620 24 00:02:06,280 --> 00:02:10,360 where she's sort of establishing her artistic independence that this picture dates.