1 00:00:00,000 --> 00:00:06,120 Dania Juana La Loca by Pradiglia. If Queen Juana La Loca in this painting by Pradiglia 2 00:00:06,120 --> 00:00:10,339 had her phone with her, I'm sure she would have been listening at that exact moment 3 00:00:10,339 --> 00:00:16,199 to La Perla by Rosalia. She was the daughter of the Catholic monarchs and the wife of Philip 4 00:00:16,199 --> 00:00:21,719 the Handsome, though between you and me, he really wasn't all that handsome, and with whom she had 5 00:00:21,719 --> 00:00:28,420 what we would probably call nowadays a toxic relationship, just full of red flags. In fact, 6 00:00:28,420 --> 00:00:34,359 Juana had a very tragic life, starting with the death of her husband in 1506 and her later 7 00:00:34,359 --> 00:00:41,079 confinement in the castle of Tordesillas until her death in 1555. But let's not spoil future 8 00:00:41,079 --> 00:00:46,200 events and just have a look at this specific moment first. This painting shows the months 9 00:00:46,200 --> 00:00:53,000 after Philip died. His last wish was to be buried in Granada. Juana was just so devastated and so 10 00:00:53,000 --> 00:00:58,000 in love that of course she decided to make the journey from Burgos to Granada just to fulfill 11 00:00:58,000 --> 00:01:04,060 his wish. But it was a very strange journey. They only traveled at night, and they stopped to pray 12 00:01:04,060 --> 00:01:10,359 during the day, constantly opening the coffin to check if Felipe was still in there. For years, 13 00:01:10,519 --> 00:01:15,640 she traveled like this. Because of this behavior, people called her La Loca, making it easier for 14 00:01:15,640 --> 00:01:21,760 her dad and her own son to establish that she wasn't fit to rule the country. In this scene, 15 00:01:21,760 --> 00:01:27,700 they're in the middle of a Castilian field in winter. Why not inside a building? Well, 16 00:01:27,700 --> 00:01:32,799 that's because the nearby convent was full of nuns, and Juana was so jealous that she didn't 17 00:01:32,799 --> 00:01:38,859 want any other women near her husband's body. Not even if he was dead. So she, and everyone else, 18 00:01:38,980 --> 00:01:44,519 had to stay outside in the freezing wind. In the painting, Juana looks empty and lost. 19 00:01:45,079 --> 00:01:49,500 She's wearing two rings, indicating that she's now a widow. But look at her belly, 20 00:01:50,019 --> 00:01:55,579 positioned at the center of the painting, and not by accident. You can see that she's pregnant with 21 00:01:55,579 --> 00:02:02,400 her daughter Catalina. Now her sadness makes even more sense. She's all alone with a baby on the 22 00:02:02,400 --> 00:02:09,599 way. It really is tragic, isn't it? And by showing this in the painting, making it the focus point, 23 00:02:10,000 --> 00:02:16,740 it's a symbol of hope. It shows that even after death, life continues. This is just one painting 24 00:02:16,740 --> 00:02:21,879 from the Here You Art network inside the Prado. If you want to know more about this and other 25 00:02:21,879 --> 00:02:27,120 Prado masterpieces, check out the Here You Art audio guide, where you can choose your own path 26 00:02:27,120 --> 00:02:31,060 without getting lost, or even worse, going mad.