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you

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Hello again.

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We are going to see now a property of the tissues, the distance between one tissue and another, or between layer and layer, which we can change here.

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I'll show it here in this scarf, well, this scarf that is collapsing on all sides.

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I'm going to put it in, now it's in layer 0, okay, which is where all the layers are, all the pieces of the pattern.

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I'm going to put it in layer number 1, okay, so it goes over.

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It doesn't collapse that much, or I hope so.

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Ah, okay, it's just that the vest is in layer 1, so I have to put it in layer 3.

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Now yes.

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Good.

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Now we can see that there is a little bit of...

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By default, here, the thickness...

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It has some very rare words, additional collision thickness.

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But this is the separation that there is between tissues, okay?

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When you put a fabric and put another on top, there is always a separation in the 3D space, which is to avoid these collisions,

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that the fabric is threatened inside the other and so on. There is a separation. It is as if there was an invisible line between both, which separates them.

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And this separation we can regulate here, by default it comes 2.5 mm, which is a little, but well, it is something.

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You can see that there is a little separation, but there will be times that we have to lower it or we have to raise it for some reason,

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because it causes us many collision problems, so we raise it a little more,

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o queramos que este patrón esté mucho más pegado y entonces la bajamos, la podemos bajar incluso a cero, ¿vale?

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Pero bueno, esto también hacerlo hacia el final porque tener una distancia de cero, que es ninguna, va a hacer que los patrones queden muy pegaditos, ¿vale?

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Habéis visto que se ha pegado muchísimo más aquí al avatar, o sea, al avatar no, perdón, al vestido y al chaleco, ¿vale?

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Yo, por el contrario, la subo y le pongo una distancia, un grosor de 10 y simulo, ¿vale? Va a haber un centímetro entre el vestido y esta bufanda, ¿vale?

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Entonces eso se puede regular ahí.

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Lo normal, antes de hacer la simulación final,

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es disminuir todos los grosores de polisión adicional de todas las piezas.

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Normalmente se reducen a cero o a uno, ¿vale?

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Para que os quede todo mucho más pegadito y más real.

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¿Vale?

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Then, we also have that distance between the fabric and the skin of the avatars.

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There is always a safety distance.

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I'm going to hide the scarf.

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If I zoom in, you can see that this fabric is not really touching the avatar, there is a distance, if I select the avatar, of 1.5 millimeters.

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I can raise it and then this fabric will stay even further away or I can lower it.

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This one, so never lower it to zero, leave it as much to one, okay?

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We leave it there at one millimeter and there is a distance that separates from the avatar one millimeter.

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Después, ¿qué diferencia hay entre este grosor de colisión adicional y este grosor de representación adicional?

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Es que les ponen unos nombres tremendos, pero bueno.

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Realmente, este grosor es lo que acabamos de ver, ¿vale?

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Grosor de colisión, ¿acordados?

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La colisión siempre es lo que ocurre entre dos piezas de tejido o entre la pieza de tejido y el avatar, ¿vale?

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So, this distance is the one we just saw now, the 2.50.

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Thickness of additional representation.

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This means what thickness the fabric has visually, when we visualize it in the 3D window.

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So, I can raise this.

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Now it has a thickness of 1.5, but I can raise it to, imagine, 5, which is a lot.

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You can see that visually this pattern has a thickness of 5 mm.

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If you want a realistic result, this is usually left at 0 and where the thickness is really given is in the fabric.

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Unless we want to make a double fabric effect.

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Where are we? Here, okay.

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In the fabric, I have come here to this fabric icon, okay?

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And I have selected the fabric.modal unique.

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If you come below everything, in the properties editor, below everything, you have this option of thickness.

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that this fabric, by default, has half a millimeter of thickness, which is very little, but hey.

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If I really want this thickness to interfere with the fall of the fabric, which would be logical in a real fabric,

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I have to change the thickness here, because here I am in the physical properties of the fabric.

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because I'm selecting this piece of fabric.

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Imagine, no, I want the fabric to be a little thicker.

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Okay, well, I change it to 1.

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I want, for example, this fabric to have a double appearance.

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Imagine, or that it is a little thicker

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because here the seam is going inwards.

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total. Vale, entonces ahí sí le puedo dar una representación adicional, que esto es

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solo visual, vale, no interviene con las propiedades físicas. Pues ahí sí que le puedo dar,

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por ejemplo, uno. Y entonces tengo como el doble de grosor aquí, vale. Es como las diferencias

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que podemos encontrar entre hacerlo de una manera y de otra.

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Any questions with this? If not, we are going to move on to make buttons.

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To make buttons, we are going to start with a basic shirt.

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We are going to come here to the avatar and we are going to choose this time a male avatar to vary a little.

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Ah, well, to tell you, in the new version of Style 3D, in woman, we have a standard European avatar, okay?

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With which it already has some measurements more in accordance with the European standard.

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and then you can change the size, where we saw in the avatar editor.

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You can change the sizes and they are, of course, more similar to a European body.

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Because the one we had before was very small because, of course, it was a small size.

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There is no man yet, but well, we are going to use this one that comes to us.

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Let's open it.

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And now that we have the peasant here

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I don't care if it's the dress, because I'm not going to save this file or anything

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I'm just going to insert a garment

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Here in garment

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I'm going to load the man's shirt

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Which is the first one

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And in load type I put it open

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Whenever you select open

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It erases what is in the scene

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And if you select add, it will add, okay?

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So now if I were to add, it would leave me the dress and I would also add the t-shirt.

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But I don't want that, I don't care about the dress anymore.

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I want it to open it simply and delete the dress.

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So I'm going to open it.

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Okay?

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Bueno, aquí vemos que, como nos viene por defecto, está un poco mal posicionada, ¿vale?

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Está colapsando aquí un poco los brazos.

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Simplemente voy a hacer clic y arrastrar, y así lo muevo un poquito hacia afuera,

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y lo posiciono un poquito mejor.

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¿Vale?

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and I'm going to load the neck because I'm not going to need it.

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I'm going to select it and I'm going to delete it with the delete button and if you want you can simulate the shirt.

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What are we going to do?

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we are going to split this pattern in two and we are going to make a cross

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and then put some buttons on it. So for this I go here to the tool to edit

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pattern, I select the central line, right button, cancel axis, because first we have to cancel

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the symmetry axis before you can cut. And then, in Trace, with the Trace tool, we can

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cut this pattern in two. Right click, cut. Do not cut and sew because, as I told you,

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we are going to put buttons, what happens that now I have lost the symmetry, if I select

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one side you see that I do not have any symmetry applied, the other is not selected either,

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so to re-apply this symmetry without doing anything, because the patterns have to be

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as it is. If you make a change, it will leave us, so we select the two, right button

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and we are going to look here above all, apply symmetry with seam.

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If you make any modification in any of the parts, it will leave us to select

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this option. So, now as it is exactly the same, we have not done anything, we are going to

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select it and now yes, you see that if I select this part, this one is put in orange, okay?

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And vice versa. And apart, they have this line that unites the two, this orange line, okay? That unites

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the two halves, which is also indicating to me that symmetry is applied.

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Okay, the next step is to make the cross.

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To make the cross, I'm going to have to extend this middle line.

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To do this, I use the tool Edit Pattern, select this middle line, and on the right

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right mouse button, I select move pattern contour, we have already done this more times.

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By selecting this option, here I will be able to put the distance that I want, in this

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In this case, for example, 1.50 and I'm going to tell it to create the internal line.

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What does this mean? If I select Create internal line, it will create an internal line where the edge of the pattern was before.

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And this is going to serve as a guide for us to place the buttons in the center.

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So, I select this option. This is fine.

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The pattern and the direction too.

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And I press OK.

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And you can see that both patterns have already been extended.

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Now, the next thing I'm going to do is, since it's a man's t-shirt, I'm going to make this side cross over the other, okay?

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we press the left on the right and you see that right now they are collapsing one

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pattern with the other, because when it extends, it goes through, so I'm going to

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move this side a little bit, which is the one that is going to go up, forward, so that

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then when it's time to simulate, I don't have problems. With the tool of

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select move, I select this side and move it a little bit forward so that

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So it doesn't collapse, it doesn't matter if you move it more, it doesn't matter, it can be like this too, even a little further ahead it will also work.

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So now we have these two halves and we have to place the buttonholes on one side and the buttons on the other.

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Let's start by placing the buttons.

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To do this, I come here to resource, to the start side, above all, resource, button.

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So now I'm in the button tool and I can place buttons wherever I want.

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If I click, I position the buttons where I want.

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but I want to position it on this line.

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If it is on a line, we have to double click to position a button.

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But we are going to do it better.

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We are going to undo this by pressing CTRL Z.

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We are going to delete that button.

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And we are going to do it in a much more controlled way.

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We are going to put the cursor on this line where I want the buttons to go,

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which is selected as a more intense blue.

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And instead of double-clicking, I'm going to right-click.

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So here I get this dialog box that will allow me to put the buttons in a much more exact way.

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because here I will be able to mark the distance to this line

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this is thought out in case you do not have a central line and you click on the edge

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here you can put the distance to which you want the buttons to start

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I'm going to put a distance so you can see

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for example if I put a distance of 5 you see that it is creating the buttons 5 cm away from this line

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Vale. Esto puede ser útil si en vez de...

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Perdona, Soledad.

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Has dicho que hacías clic sobre la línea interior y se ponía azul o doble clic. ¿Cómo haces?

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No, simplemente me posiciono encima con el cursor...

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Y se pone azul.

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Y veis que se pone más azul todavía.

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Igual es un poco sutil, pero al poner el cursor justo encima...

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encima. Pues un lado

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sí, otro no. No me digas por qué.

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Claro, del otro lado, o sea,

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solo se va a poner azul

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más intenso la línea

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donde tengo yo encima el cursor.

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La otra no se tiene por qué poner, a no ser

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que... Sí, no, pero me pongo

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en el lado derecho según miro la pantalla

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y sí se me pone azul, pero me pongo

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en el lado izquierdo según miro la pantalla

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y se me queda amarilla.

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because you still have it selected

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you still have it like this

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but you have

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the button tool selected

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of course

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do I have to

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edit pattern selected?

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no, you have to have

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the button tool

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yes, I was doing

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a test because if previously I have

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this line selected, it doesn't turn blue

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ok, simply

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me pongo el cursor encima

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no sé por qué será ya

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ya lo veré

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si haces clic derecho no te sale

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el cuadro de diálogo

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me sale el cuadro de diálogo pero la línea

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no se me pone azul pero bueno ahora veo como

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muchas gracias

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eso no importa

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lo que nos importa

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es que no salga el cuadro de diálogo

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lo de que se pone

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la línea azul

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es como la referencia que te da

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programa para que sepas que estás encima de esa línea. Pero no pasa nada. Si tú te pones,

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aunque no te salga azul y te sale el cuadro de diálogo, es lo más importante para poder colocar.

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Vale. Vale, eso. Nos venimos aquí. Botón derecho. El cuadro de diálogo. Por defecto,

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la distancia me sale de cero. Si yo quiero colocar los botones más alejados de esta línea,

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la subiría, ¿vale?

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Veis que aquí me salen dos botones de referencia.

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Cuanto más me alejo,

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cuanto más subo este número, más me alejo.

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Pero yo en este caso

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quiero que la distancia sea cero

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porque lo quiero justo encima de esta línea, ¿vale?

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Entonces, la primera casilla a cero.

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Posición de inicio.

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Well, here I'm going to put, for example, two centimeters, and then the first button is placed

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at two centimeters, and then here we can mark the distance to the end,

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for example, at five.

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We are going to put it at eight, and you see here in the preview that this button from here to here

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there will be 8 cm, and from here to here 2, ok?

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And then here, in the replica, we tell it how many buttons we want, ok?

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00:22:16,360 --> 00:22:20,360
You can also, as you can see, they also appear in the 3D window, ok?

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In the preview. The ones that appear gray are the ones we are putting.

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00:22:26,360 --> 00:22:30,360
Number of buttons, well, the ones you want, ok?

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00:22:30,360 --> 00:22:34,120
For example, I'm going to leave it like this, at 6.

223
00:22:39,720 --> 00:22:43,120
And we could also use a personalized interval, right?

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00:22:43,200 --> 00:22:50,080
If you don't want all the buttons to have, well, if you want all the buttons to have a

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distance of x, then here you could put the distance to which you want the buttons.

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00:22:55,339 --> 00:23:08,339
Pero bueno, yo creo que lo más cómodo normalmente va a ser decirle la distancia de inicio, la distancia hacia el final y luego que os lo reparte, ¿vale?

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00:23:10,899 --> 00:23:11,919
Pulsamos OK.

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00:23:13,699 --> 00:23:15,639
Ahora no los vemos, ¿vale? Porque están aquí dentro.

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Pero los vemos aquí también en la ventana 2D.

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Now I would need to copy this position to the other pattern to put the buttonholes in the same place.

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And for this it is in 3D, it has this option that is super good, which is, now that we have all the buttons selected,

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We make a right click and we tell it to duplicate it to the symmetrical pattern, okay?

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This is going to work as long as the other pattern has the symmetry applied, okay?

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If not, you would have to copy and paste.

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00:24:02,480 --> 00:24:06,439
But now, since we have the symmetry applied, we tell it to duplicate the symmetry pattern.

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00:24:07,159 --> 00:24:07,919
Okay, it duplicates me.

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00:24:07,920 --> 00:24:12,480
Y diréis, vale, pero te habéis aplicado botones en vez de ojales.

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00:24:13,019 --> 00:24:17,860
No pasa nada, porque los botones se pueden convertir a ojales en cualquier momento, ¿vale?

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00:24:18,259 --> 00:24:20,860
Ahora tengo todos los botones seleccionados.

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00:24:22,140 --> 00:24:26,980
Le doy al botón derecho y le digo convertir a ojal.

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Y ya está, ya tengo los ojales justo en el sitio en el que se va a corresponder con los botones.

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Now they appear in this position, but I can rotate them, okay?

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00:24:44,060 --> 00:24:50,680
Just when you finish making the buttonhole, here in the properties editor you can change

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the angle.

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00:24:51,680 --> 00:25:04,380
I want it, for example, at 90 degrees, ah no, it's changing, ah, it's only changing one,

246
00:25:04,380 --> 00:25:06,300
I'm going to select them all then, okay?

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00:25:06,940 --> 00:25:10,000
To select them all, because now I only have a selected one down here.

248
00:25:11,420 --> 00:25:16,120
To select them all, you have to go here to buttonhole, okay?

249
00:25:16,200 --> 00:25:19,420
Depending on what you want to select, if it's a buttonhole or it's a button,

250
00:25:19,580 --> 00:25:22,880
you always have to have the corresponding tool, okay?

251
00:25:22,880 --> 00:25:25,880
If I now want to select the buttonholes, then I have to take the buttonhole tool.

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So now I make a selection rectangle to select them all.

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y entonces me vengo aquí al editor de propiedades

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00:25:34,880 --> 00:25:38,500
y le digo que quiero el ángulo a 90 grados.

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00:25:39,460 --> 00:25:41,320
Y entonces me lo gira.

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00:25:48,600 --> 00:25:49,200
Vale.

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00:25:53,720 --> 00:25:58,680
Y aquí que pone, no sé por qué pone velocidad de abrochado

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00:25:58,680 --> 00:26:00,620
porque no tiene nada que ver con esto,

259
00:26:01,120 --> 00:26:03,340
Velocidad de abrochamiento.

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00:26:04,260 --> 00:26:07,100
Bueno, las traducciones que hace el programa.

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00:26:07,860 --> 00:26:12,400
Pero en realidad lo que me va a cambiar aquí es dónde se va a situar el botón, ¿vale?

262
00:26:12,400 --> 00:26:18,160
Si ves este punto central, yo cuando muevo este dial, se va hacia arriba y hacia abajo.

263
00:26:19,560 --> 00:26:24,200
Ahí es donde va a estar situado el botón, ¿vale?

264
00:26:24,260 --> 00:26:25,320
Cuando yo lo cierro.

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00:26:26,740 --> 00:26:30,280
Luego cuando lo tengamos abrochado, si queréis volvemos aquí para verlo.

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00:26:31,120 --> 00:26:34,120
Ok, what else?

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Well, the type of buttonhole is not the one I like for this type of garment.

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I can change it, ok?

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Here where we had the fabrics and the charts and others, we also have here the button and here the buttonhole.

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In fact, since I already have the buttonhole tool selected, I already have the buttonhole in the scene tab, ok?

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So, to change it, I have to select this buttonhole and go here to the panel.

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00:27:06,180 --> 00:27:09,240
Well, you can change the name, of course, whenever you want, okay?

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Here is where it puts the name.

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00:27:12,380 --> 00:27:17,760
Give it to number one, depending on which one you have, okay?

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Here I can change the shape of the buttonhole.

276
00:27:23,779 --> 00:27:42,779
We have a library of tabs that we can see here in this little tab and we click, we see the types of tabs that we have, without clicking, just putting myself on top with the cursor, you see that I can see a bigger preview.

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So, for example, for this t-shirt, I want this type of square, I select it, so it changes me in the 3D window too.

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The type, texture or OBJ.

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What OBJ is going to do is generate a geometry, it will be as if it were an object.

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If I put myself like this on the side, you will see the difference.

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Now I have an object and if I change the texture, it seems that that volume disappears.

282
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It's because it's like a photo, really.

283
00:28:28,120 --> 00:28:39,060
Textura siempre será imagen, OBJ será objeto, entonces será más tridimensional y os pesará

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más el archivo, siempre que podáis dejarlo en textura porque os va a ir todo más rápido.

285
00:28:46,840 --> 00:28:59,840
Then, what else do I have? I have here the type of finish, okay? Matte, silk, shiny, you can change it.

286
00:28:59,840 --> 00:29:06,840
As you can see, they correspond more or less to the same as we have seen with the fabrics too, okay?

287
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In the end, everything is the same. Here you can change the color, you can put the color you want, okay?

288
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And important, you can change the width. Here I have a width of 2.60 and if I click I can put it, for example, of 2.

289
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It makes it smaller.

290
00:29:35,840 --> 00:29:41,840
Then the rest of the properties that you see are related to the appearance, okay?

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what we saw, the same as the fabrics, the shine, if it is metal or not, the transparency,

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it does not make much sense to say that it is transparent, but well, there it is.

293
00:29:53,840 --> 00:29:59,840
And you can also come to change these properties at any time.

294
00:30:02,840 --> 00:30:07,840
And the same happens with the buttons, even if we have them down there.

295
00:30:07,840 --> 00:30:10,840
Well, we have some here also scattered.

296
00:30:11,840 --> 00:30:26,840
We see them. The button also, if we select it here in our panel, here in the properties editor, we will be able to change the type of button in the button library.

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Here is the arrow. We have a lot of buttons. Maybe I have more than you, but it's because I've downloaded them from the cloud.

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You can get out of the cloud at any time and you have many, many styles of buttons that you can use.

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So we choose the one you like the most.

300
00:30:57,840 --> 00:31:01,840
For example, you can also change the name.

301
00:31:01,840 --> 00:31:14,840
I always avoid using titles because sometimes they can give errors, although here I see that in the translation it does have a title.

302
00:31:14,840 --> 00:31:25,840
When I put names, both in files and in the programs, I always avoid using titles because sometimes they give problems.

303
00:31:25,840 --> 00:31:42,840
Here we can change the width, the thickness, make it less thick, and the weight.

304
00:31:42,840 --> 00:31:46,840
The weight will influence us when we simulate it.

305
00:31:46,840 --> 00:32:06,120
If you see that when you simulate it, it falls too much down, it is weighing a lot, then you can come here and you can even remove the weight and give it 0, well, it gives you a minimum of 0.10.

306
00:32:06,120 --> 00:32:26,120
In general, as it comes by default, it works well, and then the same thing, you can change the aspect, from matte to plastic, for example, and in a color that you want.

307
00:32:36,120 --> 00:32:43,120
So now, how do I press this button?

308
00:32:43,120 --> 00:32:49,120
I have a tool here that is specific for it.

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00:32:49,120 --> 00:32:51,120
Press the button.

310
00:32:51,120 --> 00:32:57,120
Whenever you use it, first you have to position the patterns well,

311
00:32:57,120 --> 00:33:00,120
as we have them now, one on top of the other,

312
00:33:00,120 --> 00:33:03,120
so that when simulating it does not give you problems.

313
00:33:03,120 --> 00:33:07,400
Lo que va a hacer ahora es pasar el botón hacia delante.

314
00:33:08,280 --> 00:33:13,200
Entonces yo, si esta parte que va adelante la tuviera por detrás,

315
00:33:13,460 --> 00:33:18,800
sería un embrollo o si estuviera traspasando algunas zonas, ¿vale?

316
00:33:18,820 --> 00:33:19,920
También me daría problemas.

317
00:33:20,820 --> 00:33:24,460
Entonces, vamos a coger aquí la herramienta de abrochar botón.

318
00:33:26,260 --> 00:33:28,320
Podemos ir de uno en uno, ¿vale?

319
00:33:28,319 --> 00:33:53,879
We have to go from the button to the buttonhole. I make one click and another click and you see that this green line is created in the middle that is indicating that it is going to be crocheted and now, in fact, you see here in the 3D window that the button has gone from being in this pattern to the end. It is already positioned for simulation.

320
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I have said, you can go from one to one or you can mark several at the same time.

321
00:34:03,880 --> 00:34:07,880
To mark several, I make a selection rectangle.

322
00:34:07,880 --> 00:34:13,880
Now you see that there are some threads that follow my cursor, okay?

323
00:34:13,880 --> 00:34:22,880
And then, here, as they all go in parallel, I mark this first one and I already have them all hooked.

324
00:34:22,880 --> 00:34:27,880
You can also see it in the 3D window.

325
00:34:41,880 --> 00:34:46,880
Once I have it like this, I could simulate it.

326
00:34:46,880 --> 00:34:48,880
Okay?

327
00:34:52,880 --> 00:35:00,180
Igual se me queda un poco abierto por la distancia entre partículas, ¿vale?

328
00:35:04,820 --> 00:35:07,059
Podría bajar para refinar, pero bueno.

329
00:35:10,140 --> 00:35:10,440
¿Vale?

330
00:35:10,860 --> 00:35:13,240
¿Y qué pasa con estos botones que he dejado por ahí?

331
00:35:13,940 --> 00:35:20,880
Si los quiero borrar, tengo que usar la herramienta de ojal y...

332
00:35:20,880 --> 00:35:27,720
I mean, sorry, the button, and select them and click on Submit.

333
00:35:29,240 --> 00:35:29,559
Okay?

334
00:35:30,019 --> 00:35:32,500
I can also use this tool to move buttons.

335
00:35:32,960 --> 00:35:36,619
I can select, for example, this one and say, no, I want it here.

336
00:35:37,900 --> 00:35:38,180
Okay?

337
00:35:38,440 --> 00:35:40,559
Move them from one side to the other.

338
00:35:46,900 --> 00:35:47,539
Select them.

339
00:35:50,880 --> 00:36:15,340
Now we can see what I was telling you before about the position of the button on the

340
00:36:15,340 --> 00:36:23,340
that we can see here in buttonhole. I'm going to select all with the buttonhole tool

341
00:36:23,340 --> 00:36:30,340
and here in this second option that we have, the fastening sign,

342
00:36:30,340 --> 00:36:35,340
actually what it means is the position where the button is placed

343
00:36:35,340 --> 00:36:42,340
with respect to the buttonhole. You see that when I move it, the buttons are also moving.

344
00:36:42,340 --> 00:36:45,340
So, I'm going to leave it in the middle, more or less.

345
00:36:50,340 --> 00:36:51,340
Done.

346
00:36:52,340 --> 00:36:54,340
Then, with this technique of putting buttons,

347
00:36:54,340 --> 00:36:59,340
we can put buttons like we can put tassels or any other thing, okay?

348
00:36:59,340 --> 00:37:03,340
For example, I'm going to create here one more button.

349
00:37:03,340 --> 00:37:06,340
I'm here in the buttons tab.

350
00:37:07,340 --> 00:37:10,340
I come here to this plus symbol,

351
00:37:10,340 --> 00:37:14,340
which is to create a new button

352
00:37:14,340 --> 00:37:21,340
and in the button library I'm going to choose, for example, this little star.

353
00:37:29,340 --> 00:37:32,340
We have the little star here chosen

354
00:37:32,340 --> 00:37:38,340
and I'm going to replace these three buttons with this one I have here.

355
00:37:38,340 --> 00:37:46,340
So it's the same as with the fabrics, I click drag and I put myself on top and it's going to be replaced, okay?

356
00:37:48,340 --> 00:37:59,340
Or I can also, with the selected one, I can also come to any place where I want to put it and put it, okay?

357
00:37:59,340 --> 00:38:27,180
So, I come here and, for example, I'm going to put it in metal, okay, I'm going to make it a little bigger, here in the width, I'm going to make it, and I'm also going to change the color, I'm going to put it in red.

358
00:38:29,340 --> 00:38:32,400
So, there I have an ornament.

359
00:38:33,400 --> 00:38:38,940
Taking advantage of the fact that we saw how the fabrics were also changed,

360
00:38:39,820 --> 00:38:42,820
we are going to take advantage of it and we are going to change them.

361
00:38:42,820 --> 00:38:48,820
Well, you see that here I have the fabrics of the previous project.

362
00:38:49,519 --> 00:38:57,860
You can easily erase them, right click and you choose to remove all unused fabrics.

363
00:38:59,340 --> 00:39:16,280
I'm going to put a name to it, I can put the name either here in the properties editor

364
00:39:16,280 --> 00:39:27,300
or by double-clicking on the canvas, and I'm going to put...

365
00:39:29,340 --> 00:39:47,340
I'm going to come here to the fabric library and I'm going to choose a stitch, I'm going to look here in the magnifying glass, stitch, and you choose the one you want.

366
00:39:48,340 --> 00:39:51,340
I, for example, am going to use this one.

367
00:39:51,340 --> 00:40:00,340
Remember that you have to take into account both the fall and the type of fabric that you want to put according to the project that you have.

368
00:40:05,340 --> 00:40:11,340
And down here you see that by default it is going to apply to everything.

369
00:40:11,340 --> 00:40:17,340
This means that the aspect of that fabric and the physical properties are going to be applied.

370
00:40:17,340 --> 00:40:29,240
But you can apply only material, which would mean only the physical aspect, that is, the aspect that you are seeing, or only physical.

371
00:40:29,460 --> 00:40:35,740
Only physical would mean that only the physical properties of the fabric would be charged.

372
00:40:36,000 --> 00:40:44,380
What does this mean? The fall, basically. The fall and the way it behaves when we simulate.

373
00:40:44,380 --> 00:40:52,059
and the normal thing is to apply it in everything, but hey, there is still some time that you need

374
00:40:52,059 --> 00:40:58,619
it to have a special fall but it has the aspect of another type of fabric that you know that

375
00:40:58,619 --> 00:41:05,160
here it can be filtered also. I press ok and simulate

376
00:41:05,159 --> 00:41:24,960
I'm going to lower the distance between particles a little bit, this would be the final result.

377
00:41:35,159 --> 00:41:45,159
Now, we can do it like this, which is a simplified way of building this type of closure,

378
00:41:45,159 --> 00:41:55,159
or we can also do it imitating real life with the extension of the closure that goes inwards.

379
00:41:55,159 --> 00:42:02,159
On this side it extends and goes inwards, which gives us double tissue.

380
00:42:05,159 --> 00:42:17,719
Before I start working again, I'm going to go back down the distance between particles.

381
00:42:17,719 --> 00:42:25,920
The distance between particles in which we are always going to work, except for very special cases.

382
00:42:25,920 --> 00:42:33,839
And we are going to do the following.

383
00:42:35,159 --> 00:42:41,159
We are going to take this pattern and move it forward

384
00:42:41,159 --> 00:42:49,159
because we need space to create the extension here and move it inwards.

385
00:42:49,159 --> 00:42:53,159
And here the same, I'm going to put it a little bit to the side.

386
00:42:59,159 --> 00:43:04,159
And now with the Pattern Edit tool I'm going to make that extension.

387
00:43:05,159 --> 00:43:11,159
I place myself on the edge, right click, move around the pattern.

388
00:43:11,159 --> 00:43:17,159
How much? This time I want 3 centimeters, which is the double that we had put before.

389
00:43:17,159 --> 00:43:21,159
And I also want the inner line to be created like this.

390
00:43:23,159 --> 00:43:31,159
So I already have this line here, which is going to be where I am going to fold the fabric backwards.

391
00:43:35,159 --> 00:44:05,139
In order to fold the fabric, we need an internal line, which we already have, and take the corresponding tool.

392
00:44:05,139 --> 00:44:07,879
which is this one here, Folding Disposition.

393
00:44:09,000 --> 00:44:11,000
Here it has a foldable menu,

394
00:44:11,279 --> 00:44:14,319
but the one we are going to use is this one first.

395
00:44:18,319 --> 00:44:19,659
Once we have it,

396
00:44:20,339 --> 00:44:23,139
we can already preview the internal lines here.

397
00:44:24,139 --> 00:44:26,460
We are going to select this one here

398
00:44:26,460 --> 00:44:30,199
and you see that it comes out like a kind of delimit,

399
00:44:30,339 --> 00:44:32,619
but it only has a green and a red side.

400
00:44:32,619 --> 00:45:01,500
Vale, nosotros como queremos doblar esto hacia adentro, vamos a utilizar este lado rojo, vale, y vamos a hacer un clic y a arrastrar, y vamos situándolo, doblandolo todo hacia adentro, pero ojo, que no os pase esto, vale, que no os paséis de frenada, y que no colapse, vale.

401
00:45:01,500 --> 00:45:06,619
Nos quedamos, por ejemplo, así, que no me está colapsando en ninguna parte.

402
00:45:08,500 --> 00:45:15,360
Y en la parte de atrás, hacemos lo mismo, pero esta vez voy a coger este lado,

403
00:45:15,579 --> 00:45:21,139
porque es este lado que quiero doblar, ¿vale? Hacia adentro.

404
00:45:22,300 --> 00:45:28,800
Entonces, cojo este lado, pincho, arrastro, y tampoco os paséis, ¿vale?

405
00:45:28,800 --> 00:45:34,460
que no se vaya hacia delante ni que esté colapsando. Lo dejáis pues lo más pegado

406
00:45:34,460 --> 00:45:45,620
posible, ¿vale? Y sin más. Fijaros que cuando yo estoy moviendo esto, este ángulo, aquí

407
00:45:45,620 --> 00:45:53,400
en el editor de propiedades también se está moviendo este diario, ¿eh? Fijaros. Ese es

408
00:45:53,400 --> 00:46:01,780
angle of fold. So, even if I leave it here, then manually I can adjust it.

409
00:46:01,780 --> 00:46:05,340
What happens is that I will not be able to preview this before simulating, okay?

410
00:46:05,340 --> 00:46:13,119
This angle of the fold will be effective once it simulates.

411
00:46:13,119 --> 00:46:19,860
If I want to preview it, the only way is to put it manually, okay?

412
00:46:19,860 --> 00:46:25,360
manually, the only way is with this foot arrangement tool.

413
00:46:25,360 --> 00:46:30,860
Okay? So now what would we need? Now that

414
00:46:30,860 --> 00:46:35,579
we have it folded, we would have to sew, in real life, we would have to

415
00:46:35,579 --> 00:46:42,500
sew this part to the front, but we need an internal line to be able to

416
00:46:42,500 --> 00:46:48,620
sew it to the front, because if not, where do we sew it? So I'm going to generate an

417
00:46:48,619 --> 00:46:53,799
the inner line, okay? Both here and here.

418
00:46:55,000 --> 00:47:03,960
I use the tool Edit Pattern and I select this line, for example, the center line

419
00:47:03,960 --> 00:47:08,500
which is this one here, and I'm going to tell it to make a line here

420
00:47:08,500 --> 00:47:17,259
at 1.5, okay? Because we are left with this having a width of 3 centimeters, so

421
00:47:17,260 --> 00:47:25,940
right click, add inner line, equidistant.

422
00:47:26,220 --> 00:47:36,020
Here I'm going to say 1.5 and the number 1 is already there.

423
00:47:38,760 --> 00:47:44,500
We are going to leave this option of using extend marked

424
00:47:44,500 --> 00:47:53,500
And we also select extend to the contour, so that this line touches up and touches down with the pattern.

425
00:47:55,500 --> 00:47:56,500
And we press ok.

426
00:47:58,500 --> 00:48:00,500
And now we have to sew.

427
00:48:01,500 --> 00:48:08,500
We sew the inner line, this one here, with the pattern line.

428
00:48:09,500 --> 00:48:11,500
We are going to sew it better here in the window.

429
00:48:11,500 --> 00:48:22,500
With Segment Selection, I select this line, and now I select this one here.

430
00:48:26,500 --> 00:48:30,500
And I check that everything is OK.

431
00:48:31,500 --> 00:48:40,500
I see that all the threads are parallel, so the seam has been executed well.

432
00:48:41,500 --> 00:49:04,500
Y ahora ya podría simular, simular, aquí hay un poco de lío, se ha pasado aquí, aquí

433
00:49:04,500 --> 00:49:23,519
Me parece que aquí se ha pasado de frenada y se ha doblado de más y me ha cubierto los botones, ¿vale?

434
00:49:23,559 --> 00:49:26,179
Se ha venido la doblez hacia adelante.

435
00:49:26,460 --> 00:49:27,739
¿Veis que los botones están aquí?

436
00:49:27,740 --> 00:49:41,880
In fact, if I select this part, you see where the blue dot is, in the 2D window, I can see that I am selecting this, which should be behind.

437
00:49:43,020 --> 00:49:56,620
Then I'm going to do a CTRL-Z and I'm going to go back to the foldable tool and I'm not going to fold it so much, I'm going to separate it a little bit more.

438
00:49:57,740 --> 00:50:01,260
Separo un poquito más y vuelvo a simular.

439
00:50:02,260 --> 00:50:02,580
Bueno.

440
00:50:22,580 --> 00:50:23,760
Dejándolo un poquito más.

441
00:50:24,980 --> 00:50:25,420
Ahí.

442
00:50:26,360 --> 00:50:26,800
Vale.

443
00:50:26,800 --> 00:50:30,920
Lo he dejado un poquito más abierto y ahora sí que está funcionando, ¿vale?

444
00:50:32,539 --> 00:50:36,940
Aquí me ha quedado el botón detrás, pero no pasa nada, que lo podemos recuperar ahí.

445
00:50:40,560 --> 00:50:45,100
Esto, como he tenido que abrir mucho el ángulo, me ha quedado como muy abombado,

446
00:50:45,860 --> 00:50:51,800
pero lo puedo solucionar seleccionando la línea, ¿vale?

447
00:50:51,800 --> 00:50:56,680
Que veíamos que podíamos cambiar el ángulo del previo aquí también, en el editor de propiedades,

448
00:50:56,800 --> 00:51:03,800
Then I'm going to lower it close to zero and I'll re-assign it.

449
00:51:11,800 --> 00:51:17,800
Here, to make it look good, I'll have to do several things.

450
00:51:17,800 --> 00:51:25,800
One is to sew these two sides, which are open here,

451
00:51:25,800 --> 00:51:32,800
I first need to generate a stitch here, or well, I can sew it with the free stitch.

452
00:51:32,800 --> 00:51:37,800
With the free stitch, I first select the back side,

453
00:51:37,800 --> 00:51:43,800
one click to start, two to finish,

454
00:51:43,800 --> 00:51:49,800
another click to start, and another click to finish.

455
00:51:55,800 --> 00:52:14,080
And in this type of sewing, I have to change here, from personalized angle to turned, and

456
00:52:14,080 --> 00:52:20,120
I explain to you what this is coming to, this is a bit weird, I'm going to show you an example.

457
00:52:20,119 --> 00:52:33,119
Aquí tenemos varias opciones de costura.

458
00:52:33,119 --> 00:52:37,799
Una es una costura abierta, que es lo que estuvimos haciendo hasta ahora,

459
00:52:38,599 --> 00:52:41,319
y que se corresponde a esta opción, ¿vale? A esta primera.

460
00:52:41,480 --> 00:52:47,139
De hecho, podéis ver el esquema de costura aquí, aunque sale súper pequeñito, ¿vale?

461
00:52:47,139 --> 00:53:05,379
El siguiente tipo de costura es una costura, bueno yo la llamo cargada, no sé como la llamáis vosotros, pero viene siendo este tipo de costura que podéis ver mucho en los vaqueros, puede tener un pespunte doble encima o solo uno o ninguno.

462
00:53:05,380 --> 00:53:20,380
The normal thing is that I have one that would correspond to this other posture, the second one, and you can also see the scheme here, but it comes out super small.

463
00:53:20,380 --> 00:53:33,380
And the last option, which here says rotated, is for when we find ourselves in this situation, which is right now in which we are finding ourselves.

464
00:53:33,380 --> 00:53:41,380
It's the same thing that happens when we make a belt in two pieces.

465
00:53:41,380 --> 00:53:50,380
The seam that we are going to make there is going to be a seam that at the end the two fabrics are facing each other.

466
00:53:50,380 --> 00:53:59,380
That's why now I'm going to have to change up here to this type of seam.

467
00:53:59,380 --> 00:54:18,260
Why? Because if I didn't do it, of course, when we do a normal seam, the program what it does to us is a real simulation, so it makes us that this seam is flat.

468
00:54:18,260 --> 00:54:27,580
If I leave this type of seam selected, it will generate a kind of bump up there because

469
00:54:27,580 --> 00:54:35,080
I am trying to make a flat seam where it is not flat, where it is facing.

470
00:54:35,080 --> 00:54:41,420
That is why it is important to change the type of seam in the turn as long as we have

471
00:54:41,420 --> 00:54:50,300
esta situación vale tanto aquí como en cinturillas, en cuellos que van dobles, este tipo de cosas.

472
00:54:59,019 --> 00:55:02,539
Vale y hacemos lo mismo abajo, también vamos a coser la parte de abajo.

473
00:55:02,539 --> 00:55:22,539
Here I start with the back, I put it here, and now I put it in front, I continue with the free stitch, and so on, and to the other side.

474
00:55:22,539 --> 00:55:30,539
Now I can ... well, the change has turned, okay? I just said it and I almost forgot.

475
00:55:32,539 --> 00:55:37,539
And then I simulate it, and it would be there.

476
00:55:38,539 --> 00:55:41,539
More things to improve this simulation.

477
00:55:43,539 --> 00:55:47,539
Reduce the distance between particles, so that it looks better.

478
00:55:48,539 --> 00:55:52,539
I'm going to take all the pieces, for example, 10.

479
00:55:53,539 --> 00:55:56,539
And we're getting a lot better.

480
00:55:57,539 --> 00:55:59,539
And we can still improve it more.

481
00:55:59,539 --> 00:56:08,179
En la vida real utilizamos entretelas, utilizamos friguetas y demás.

482
00:56:09,199 --> 00:56:14,059
Aquí en este programa también las podemos utilizar, ¿vale?

483
00:56:15,559 --> 00:56:17,139
Se aplican de la siguiente manera.

484
00:56:20,659 --> 00:56:28,880
Podemos aplicarlas o bien en todo el patrón o bien en un borde o en un área delimitada, ¿vale?

485
00:56:28,880 --> 00:56:30,320
Tenemos esas tres opciones.

486
00:56:32,820 --> 00:56:36,700
Aquí la voy a aplicar a este borde.

487
00:56:38,519 --> 00:56:41,500
Voy a seleccionar este segmento de aquí.

488
00:56:42,800 --> 00:56:45,160
Y me vengo aquí al editor de propiedades.

489
00:56:45,960 --> 00:56:49,260
Y aquí tenemos esta opción que pone encintado de posturas.

490
00:56:49,960 --> 00:56:50,539
Pues es esta.

491
00:56:53,000 --> 00:56:54,380
La selecciono.

492
00:56:54,380 --> 00:56:59,519
y de hecho veis que aquí en la ventana 2D

493
00:56:59,519 --> 00:57:03,500
veis que se me ha generado esta línea así como rosita.

494
00:57:04,940 --> 00:57:04,980
¿Vale?

495
00:57:05,460 --> 00:57:09,000
Esto viene siendo donde tengo aplicada la entretela,

496
00:57:09,740 --> 00:57:10,519
este refuerzo.

497
00:57:11,860 --> 00:57:13,400
Y le puedo cambiar el ancho.

498
00:57:14,539 --> 00:57:17,900
Entonces aquí le voy a poner un ancho de 6.

499
00:57:17,900 --> 00:57:27,900
then it already reinforces all that area, until the end.

500
00:57:27,900 --> 00:57:34,400
Here, by default, I will have this predefined, predetermined mode, but I can choose here

501
00:57:34,400 --> 00:57:41,460
the type of interweaving that I want, because interweaving is if they go woven, resin, woven,

502
00:57:41,460 --> 00:57:47,059
o personalizar si tengo los datos de las características físicas de alguna entretela,

503
00:57:47,300 --> 00:57:49,720
que es más complicado.

504
00:57:50,920 --> 00:57:55,679
Pero bueno, yo por lo general lo suelo dejar en predeterminado,

505
00:57:56,000 --> 00:57:57,840
a no ser que sea algo muy especial,

506
00:57:57,980 --> 00:58:01,639
que sepa que vaya a llevar una entretela en concreto.

507
00:58:01,639 --> 00:58:06,539
Si sabéis que va a llegar alguna de estas entretelas, pues ponerla.

508
00:58:08,139 --> 00:58:08,360
¿Vale?

509
00:58:08,360 --> 00:58:17,039
También podemos ponerla, pues, donde se pondría habitualmente, pues, en el escote, ¿vale?

510
00:58:19,760 --> 00:58:24,599
Y puedes cambiar de lanza, hacerla más ancha, menos ancha.

511
00:58:26,599 --> 00:58:26,780
¿Vale?

512
00:58:27,120 --> 00:58:28,180
En la sisa.

513
00:58:38,360 --> 00:58:40,360
You put it where you need it.

514
00:58:48,160 --> 00:58:53,160
Then imagine that there is a pattern that I need to be fully interweaved.

515
00:58:54,160 --> 00:58:59,660
For example, an American or an arista, whatever, a belt.

516
00:59:01,160 --> 00:59:05,059
I can interweave the piece completely.

517
00:59:05,059 --> 00:59:11,139
Yo si la selecciono, si selecciono un patrón, aquí en propiedades, igual.

518
00:59:26,320 --> 00:59:27,619
Ahora no veo nada.

519
00:59:30,099 --> 00:59:30,779
Ah.

520
00:59:35,059 --> 00:59:58,079
Here in union, I don't know why it's in union, but well, if you activate it, here you can put it in 3D, okay?

521
00:59:58,079 --> 01:00:05,179
El tipo de tela que queráis, determinada o alguna de estas.

522
01:00:06,380 --> 01:00:12,840
Y veis que se os pone en rosa todo el patrón, ¿vale?

523
01:00:13,480 --> 01:00:18,360
Que os está indicando que es ese área que pues tiene un refuerzo.

524
01:00:20,079 --> 01:00:25,179
Si no queréis ver estos colores aquí en la ventana 3D, aquí tenéis la opción de ocultarlos, ¿vale?

525
01:00:25,180 --> 01:00:32,180
You can mark them one by one or you can mark them all and they won't come out anymore.

526
01:00:32,180 --> 01:00:37,180
I'm going to turn it on so you can see where I'm applying it.

527
01:00:37,180 --> 01:00:43,180
You can come here and deactivate it at any time.

528
01:00:43,180 --> 01:00:54,180
And finally, another way to apply interweaves is to draw a shape and fill it in with an interweave.

529
01:00:54,180 --> 01:01:23,420
We draw with the pencil, you can draw an internal shape, it always has to be closed or you can even draw on the outside of the pattern, imagine that I want a fabric to go around here and that it goes to the bottom, I draw like this on the outside, obviously the fabric will not apply to me, but it will apply to me throughout this area of ​​the pattern.

530
01:01:24,180 --> 01:01:30,420
I come here to the tool to select and move, I select this internal shape

531
01:01:32,820 --> 01:01:39,380
and here I come to the sewing tape

532
01:01:41,740 --> 01:01:48,900
and when I activate it, it is already filling me with all that area and the same with the other, the sewing tape

533
01:01:48,900 --> 01:01:55,900
Although in reality this is not a ribbon, it is an interstitial pattern.

534
01:01:55,900 --> 01:02:03,900
And this is going to affect the physical properties of the fabric, reinforcing those areas.

535
01:02:03,900 --> 01:02:10,900
And this color is not going to be seen in the simulation.

536
01:02:10,900 --> 01:02:15,900
But you see that now this cross is much better.

537
01:02:18,900 --> 01:02:45,960
Now, finally, we are going to see how the necklaces are created, for this we are going to go

538
01:02:45,960 --> 01:02:51,940
Al ejercicio que hicimos el otro día, este, que era una sudadera de niño.

539
01:02:53,800 --> 01:02:56,460
Si alguien no lo tiene, que me lo diga y lo hacemos con otra cosa.

540
01:02:58,139 --> 01:03:00,699
Pero si tenéis este ejercicio, lo podemos ver aquí.

541
01:03:04,820 --> 01:03:06,460
Era el ejercicio 6A.

542
01:03:15,960 --> 01:03:33,059
We double click to load it and there we have it.

543
01:03:33,059 --> 01:03:41,000
The first thing we have to do to put a zipper is to have a place to put it, okay?

544
01:03:41,000 --> 01:03:47,880
right now I have everything sewn so I could not apply the cremallery I have to have for example

545
01:03:47,880 --> 01:03:53,500
if I want to apply it here I cannot have the seam done then I have to undo it, I am going to

546
01:03:53,500 --> 01:04:01,639
erase the seam is central with the sewing tool I select the seam that I want to erase and

547
01:04:01,639 --> 01:04:14,639
And the same thing down here, remember to erase the two sections, both the waistband and the waistband area.

548
01:04:14,639 --> 01:04:18,639
Ok, now I have the seam to erase.

549
01:04:18,639 --> 01:04:24,639
Now I have to simulate a little, just to open the sweater a little.

550
01:04:24,639 --> 01:04:30,639
Open it a little so that it is separated in both parts.

551
01:04:31,639 --> 01:04:34,639
and you stop the simulation.

552
01:04:46,639 --> 01:04:53,639
Once we have the garment open,

553
01:04:53,639 --> 01:04:56,639
we go here to the resource.

554
01:04:56,639 --> 01:05:07,639
The resource is everything, there are the buttons, the tabs, the graphics, the texture editor and we will also find the zipper, okay?

555
01:05:09,639 --> 01:05:15,639
Then we select the zipper tool and it is very easy to apply, okay?

556
01:05:16,639 --> 01:05:21,639
The zipper we will have to mark first one side and then the other.

557
01:05:21,639 --> 01:05:43,639
So, to start marking where I would go to the zipper, we simply click, we come down here and to finish it we double click, and you see that this segment is like a light gray, that is, it has been well marked.

558
01:05:43,639 --> 01:06:02,639
And I do the same with the other side, I come up here, I make a click to start, I come down here and make a double click.

559
01:06:02,639 --> 01:06:11,639
So, when I finish the second effect, when I double-click, I am already generating this

560
01:06:11,639 --> 01:06:12,639
window.

561
01:06:12,639 --> 01:06:13,639
See?

562
01:06:13,639 --> 01:06:25,639
You have to draw it in the direction in which it is going to open, okay?

563
01:06:25,639 --> 01:06:31,639
It is going to open from top to bottom, I have to put it from top to bottom.

564
01:06:31,639 --> 01:06:34,879
Aunque luego me va a dar la opción siempre de girarla.

565
01:06:35,059 --> 01:06:39,420
Pero bueno, si ya lo podéis hacer bien a la primera, pues mejor.

566
01:06:42,319 --> 01:06:42,799
¿Sí?

567
01:06:42,980 --> 01:06:45,460
Si alguien ha tenido problemas con esto, que me lo diga, ¿vale?

568
01:06:51,019 --> 01:06:55,719
Una vez que la tengo así, la puedo simular.

569
01:06:58,259 --> 01:06:59,579
Ya se me cerraría.

570
01:06:59,579 --> 01:07:11,579
Now, with the selected zipper, you see that here in the properties editor I have a series of values.

571
01:07:11,579 --> 01:07:19,579
I have the width, which is the width of the zipper. I can put, for example, that instead of 0.5 it is 1.

572
01:07:19,579 --> 01:07:25,579
I simulate again and you can see that now the zipper is much wider.

573
01:07:25,579 --> 01:07:39,579
If I go back to select it, I go back again to the properties editor menu and you can see that I can also change the length.

574
01:07:39,579 --> 01:07:53,579
If instead of wanting it to go down, which now measures 44.19, I say that my t-shirt does not go down, it measures 41, I put it here.

575
01:07:53,579 --> 01:08:05,679
and I cut it, so it is shorter, I select it again, you need to select it

576
01:08:05,679 --> 01:08:14,539
to access the properties editor, then the thickness, right now it is 0.05, I can also change it,

577
01:08:14,539 --> 01:08:23,359
the distance between particles, if I want it to be more modular, that it has a better finish,

578
01:08:23,359 --> 01:08:36,359
I can lower this particle distance, I can put it in 5, so at the time of simulating it will be more flexible and it will not be as geometrical.

579
01:08:40,359 --> 01:08:45,359
I select it again and I go back to the properties editor.

580
01:08:45,359 --> 01:08:49,359
What else do I have here? I have to close zipper or not.

581
01:08:49,359 --> 01:08:54,359
I can't tell it not to unblock it.

582
01:08:54,359 --> 01:08:57,359
So, when I click on simulate, it will unblock it.

583
01:09:01,359 --> 01:09:08,359
And the same thing, if I select it again, I can tell it to unblock it and it will unblock it.

584
01:09:11,359 --> 01:09:16,359
Can I unblock it but not until the end? Yes, I can.

585
01:09:16,359 --> 01:09:27,359
I simply select the lane and click and drag to the area where I want it to open, imagine, I want it to open up to here.

586
01:09:27,359 --> 01:09:30,359
I release it there.

587
01:09:30,359 --> 01:09:35,359
And when I simulate, the zipper will open up to that point.

588
01:09:40,359 --> 01:09:43,359
What else do we have?

589
01:09:43,359 --> 01:09:47,739
We have here move to the opposite side

590
01:09:47,739 --> 01:09:50,359
but this

591
01:09:50,359 --> 01:09:53,359
has stayed where it is moving

592
01:09:58,639 --> 01:10:02,759
It is not working well, it is the same because I have the zipper open there

593
01:10:02,759 --> 01:10:06,239
I'm going to close it completely again

594
01:10:08,279 --> 01:10:13,159
ok now yes ok

595
01:10:13,359 --> 01:10:23,359
It is like turning there, well, we are going to leave it like this for the moment because it is not working

596
01:10:23,359 --> 01:10:31,359
And then reverse the direction of the zipper, okay? If we want it instead of going from top to bottom,

597
01:10:31,359 --> 01:10:37,359
that it goes from bottom to top, then we can click here and we would move it like this

598
01:10:37,359 --> 01:10:45,359
If you want it to have an angle with the fabric, you can change it.

599
01:10:45,359 --> 01:10:53,359
Parts of the zipper are visible, normally we want them all to be visible, but if you want to deactivate some, you can do it from here.

600
01:10:53,359 --> 01:10:58,359
What other options do I have?

601
01:10:58,359 --> 01:11:06,359
The rest of the customization options of the zipper we will see here in this menu.

602
01:11:06,359 --> 01:11:16,359
As I have the fabrics, I also have the buttons, the buttonholes, and here, after the buttonholes, I have the zipper option.

603
01:11:16,359 --> 01:11:19,359
Right now it is applied here.

604
01:11:19,359 --> 01:11:22,359
I change the name.

605
01:11:27,359 --> 01:11:32,359
And up here you see that under the name there are many tabs.

606
01:11:32,359 --> 01:11:35,359
They are all the parts of the zipper.

607
01:11:35,359 --> 01:11:47,359
So you can go part by part, customizing from the teeth to the fabric tape, the slider, here you have these little clips that I will not leave in Spanish,

608
01:11:47,359 --> 01:11:55,359
turner, the group of covers, which is the way to finish the zipper and start it.

609
01:11:55,359 --> 01:12:01,359
You can customize absolutely everything in the zipper.

610
01:12:01,359 --> 01:12:28,859
Let's start with the teeth, for example, here we have the buttons, the first thing we have is a library, I click here and I have different types of teeth, I can choose the one I like the most, I can change the width of the teeth, I can tell you for example, no, I've gone too far, sorry.

611
01:12:31,359 --> 01:12:34,359
I can make it as wide as I want.

612
01:12:38,359 --> 01:12:46,359
Here in Type, just like what happened with the eyes, I can choose texture or model.

613
01:12:46,359 --> 01:12:53,359
Model is the same as object, it will be an object, it will be three-dimensional.

614
01:12:53,359 --> 01:12:55,359
You see it there?

615
01:12:55,359 --> 01:12:58,359
If I change the texture, it's like a photo.

616
01:13:01,359 --> 01:13:13,359
And then you can change the materials, metal, plastic, whatever you want, change of course the colors.

617
01:13:13,359 --> 01:13:32,899
Then the tape, the same, this is going to work the same, the property editor is a matter

618
01:13:32,899 --> 01:13:39,920
of trying to see what customization options I can find in each tool.

619
01:13:39,920 --> 01:14:03,920
At the beginning of everything we have the library of ribbons, the library of ribbons that we can choose between the type of ribbons that we want and we can also change the finish,

620
01:14:03,920 --> 01:14:15,920
tea, leather, whatever you want, it is normal to leave it in matte, but depending on the type of zipper, you will use one or the other.

621
01:14:17,920 --> 01:14:27,920
In the slider we have here an option that is very interesting and that allows us to activate the double-sense zipper.

622
01:14:27,920 --> 01:14:34,920
So, if I activate it, a lane will appear up here and another one down here.

623
01:14:34,920 --> 01:14:42,920
And I can open these, as we said before, with the selection option selected.

624
01:14:42,920 --> 01:14:47,920
I click the lane and slide it wherever it opens.

625
01:14:47,920 --> 01:15:03,100
Vale, para cerrarla, los llevo hasta el final, luego la voy a volver a cerrar, vale, también

626
01:15:03,100 --> 01:15:17,020
tenemos la opción de, vale, me vuelvo aquí al editor de cremallera, vale, aquí, vale,

627
01:15:17,920 --> 01:15:31,520
En cremallera de doble sentido tenemos dos tipos, tenemos el tipo X, que es el que acabamos de usar, y luego tenemos el tipo O, que lo que nos va a hacer es permitirnos abrir desde el centro.

628
01:15:33,800 --> 01:15:38,140
Yo ahora si simulo, tengo la abertura aquí, por eso se llama O.

629
01:15:38,140 --> 01:15:50,100
I go back here, into the cremalleres, and here, of course, I can change the type of

630
01:15:50,100 --> 01:16:01,880
slider, I have several options, the size, you can choose between several sizes, the

631
01:16:01,880 --> 01:16:08,119
ratio also comes to be the same as the size, but in percentage, I want 80% smaller,

632
01:16:08,119 --> 01:16:13,119
And then, of course, the finishes.

633
01:16:13,119 --> 01:16:15,119
Metallic.

634
01:16:19,119 --> 01:16:22,119
And here you have the drawer, which you can also change.

635
01:16:22,119 --> 01:16:26,119
Here in the library you have a lot of them.

636
01:16:30,119 --> 01:16:32,119
And the form of the finish.

637
01:16:32,119 --> 01:16:36,119
You also have, separately, the lower lid.

638
01:16:36,119 --> 01:16:38,659
the lower layer

639
01:16:39,460 --> 01:16:42,079
okay

640
01:16:42,319 --> 01:16:46,960
and here in material by default it will use the same material as in the slider

641
01:16:46,960 --> 01:16:51,460
but you can also deactivate it and put another different material

642
01:16:51,460 --> 01:16:58,460
you see that the customization options of the cremalleras are practically

643
01:16:58,460 --> 01:17:05,119
not infinite but there you have a lot of possibilities

644
01:17:06,119 --> 01:17:13,119
Now, what happens if I, for example, want to make a zipper here, because there is a pocket behind it?

645
01:17:13,119 --> 01:17:19,119
We are not going to make the pocket, but we are going to make the pocket effect with the zipper.

646
01:17:19,119 --> 01:17:28,119
Well, what I just have to do is draw an internal rectangle here, delimiting the area where the zipper goes.

647
01:17:28,119 --> 01:17:35,119
To do this, I come here at the beginning, to the rectangle tool, and I'm going to click.

648
01:17:36,119 --> 01:17:49,119
I'm going to say that width I want it to be 2 cm and height 10 cm, for example.

649
01:17:49,119 --> 01:17:56,119
I'm going to remove the color from the fabric, because if not, I don't see it.

650
01:17:56,119 --> 01:18:05,119
You come here to fabric and in the first option you can remove the color, so we can see better the internal lines.

651
01:18:05,119 --> 01:18:18,119
So, here I have the preview of where the pocket would go, I can rotate it if I want, a little bit.

652
01:18:18,119 --> 01:18:31,119
Now, in the garment, I'm going to tell it to see the internal lines, to see where I'm positioning, otherwise I don't see anything.

653
01:18:31,119 --> 01:18:38,920
I can even make this line, this pocket, be totally parallel to this line.

654
01:18:39,920 --> 01:18:46,779
What do I do? I right-click, I can turn and say parallel to.

655
01:18:49,279 --> 01:18:50,559
Turn, rotate.

656
01:18:52,939 --> 01:18:53,859
Parallel to.

657
01:18:54,359 --> 01:18:58,960
Then I select the line to which I want it to be parallel and then I select the pocket.

658
01:18:58,960 --> 01:19:07,000
I already stay there totally parallel to this sleeve well they are details

659
01:19:07,000 --> 01:19:11,359
and now I want to put the zipper on it because it is done exactly the same

660
01:19:11,359 --> 01:19:17,859
ok we come to resources zipper

661
01:19:18,100 --> 01:19:25,659
and I start from top to bottom in the direction that I want a click and double

662
01:19:25,659 --> 01:19:36,279
double click to finish. Now on the other side, one click and double click to finish.

663
01:19:36,279 --> 01:19:46,319
And now I can simulate. I'm staying here, I'm staying, I'm going in, but nothing happens

664
01:19:46,319 --> 01:19:55,319
because with the tool to select move, with the tool to select move, I'm going to select

665
01:19:55,319 --> 01:20:02,500
cremallera, que es esto que me acaba de generar aquí y aquí en capa le voy a

666
01:20:02,500 --> 01:20:12,319
decir capa 1, que se me ponga por encima de esto. Y ahora voy a volver a cimilar.

667
01:20:25,319 --> 01:20:44,500
I'm going to put another zipper, because this zipper is very wide, okay, for this site

668
01:20:44,500 --> 01:20:53,199
that is only one centimeter long, so I'm going to put a normal zipper.

669
01:20:55,319 --> 01:20:59,319
I don't know if it lets me...

670
01:21:03,319 --> 01:21:07,319
It lets me replace it with the other one.

671
01:21:07,319 --> 01:21:13,319
I can click here and drag it over the other zipper.

672
01:21:15,319 --> 01:21:19,319
And now, I don't know why...

673
01:21:21,319 --> 01:21:23,319
It's working well here.

674
01:21:25,319 --> 01:21:38,039
Maybe it's because, sorry, Soledad, maybe it's because you were left before in the option A, for example.

675
01:21:39,219 --> 01:21:46,259
There it is. Maybe it was because I had the distance between particles of 20 and I think I was getting really tired.

676
01:21:47,719 --> 01:21:51,460
I was already seeing the cremallera, but it didn't come to me in advance, okay?

677
01:21:51,460 --> 01:21:58,159
Claro, antes he probado con otra prenda, pero no tenía la distancia entre partículas tan alta, ¿vale?

678
01:21:58,159 --> 01:22:05,359
Cuando os pasen este tipo de cosas, pues estas son las cosas que tenéis que probar, ¿vale?

679
01:22:05,460 --> 01:22:06,779
¿Por qué no me está funcionando?

680
01:22:06,880 --> 01:22:10,880
Pues porque igual la cremallera es muy ancha para el hueco en el que yo la tengo,

681
01:22:11,460 --> 01:22:19,159
porque igual me está colisionando el tirador y por eso no me deja que la cremallera vaya para adelante, ¿vale?

682
01:22:19,159 --> 01:22:24,239
y después también la distancia entre partículas

683
01:22:24,239 --> 01:22:27,920
a veces también fastidia este tipo de cosas.

684
01:22:28,420 --> 01:22:29,979
Pero bueno, ya lo tenemos aquí seleccionado.

685
01:22:30,699 --> 01:22:34,180
Aquí en este bolsillo sí que no me interesa que se vean los topes,

686
01:22:34,420 --> 01:22:37,180
entonces aquí sí que voy a utilizar la opción esta

687
01:22:37,180 --> 01:22:41,500
que veíamos antes de desactivar, ¿vale?

688
01:22:41,539 --> 01:22:43,439
Tanto la tapa superior como la inferior.

689
01:22:43,440 --> 01:23:08,720
Y aquí incluso podemos, bueno, podríamos cerrarlo en toda la cremallera, y aquí lo pasamos, quedaría ahí pegadita, pero incluso yo creo que me va a dejar coser, dejar, no me deja coser.

690
01:23:08,720 --> 01:23:29,159
Sometimes I let it sew on top, but it must be only for when I have a hole, because instead of making an internal line, you can also make a hole totally, and then sew that zipper to the hole in question.

691
01:23:29,159 --> 01:23:39,159
But many times we are not interested in having a hole here because we already have the pattern with the marks and not with a hole in the middle.

692
01:23:39,159 --> 01:23:47,159
And this is all about necklaces and buttons.

693
01:23:47,159 --> 01:23:54,159
If you can practice this week and next week we will see more things.

694
01:23:54,159 --> 01:23:59,439
Que tengáis un buen fin de semana

695
01:23:59,439 --> 01:24:03,000
Gracias Soledad

696
01:24:03,000 --> 01:24:09,439
Hasta luego

697
01:24:09,439 --> 01:24:12,639
Hasta el miércoles

698
01:24:12,639 --> 01:24:14,619
Hasta luego

699
01:24:24,159 --> 01:24:24,779
you