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BAROQUE AND ROCOCO ART - Contenido educativo
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Arturo Pertore here, but you can call me Art.
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This is Explorations in Art History, starring me and this hand.
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Well, what about the rest of me?
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Um, this isn't right. I'm feeling kind of cold and a little bit clammy.
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Wait, are they operating on me?
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Hey, you can't operate with a hat on and that book.
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Don't tell me you have to read a book to operate.
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This is too much.
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Oh, you know what's better than anesthesia?
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Just passing out.
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Okay, I'm calm. I'm fine.
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Looks like we'll be talking about the Baroque, Rococo, and Neoclassical periods.
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Martin Luther's Protestant Reformation had really stirred the religious pot.
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In the early 1600s, the Catholic Church responded with a counter-reformation,
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which propelled the Baroque movement and its artistic aims of making Catholic theology appeal to the masses.
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Drama and movement were some of the ways Baroque artists sought to engage the viewer.
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For example, in contrast to Michelangelo's David,
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sculptor Giovanni Bernini captures the moment of action as David rears back to fling his stone.
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I say, after seeing all the David statues, one really wonders,
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didn't his mother ever teach him to, I don't know, wear clothes?
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Baroque architecture also employed theatrical effects,
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replacing the straight lines of the Renaissance with flowing curves,
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elaborate domes, and ornamentation,
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like the Chapel of San Carlino, whose walls were designed to weave in and out
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as if they were formed of some flexible material instead of rigid stone.
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Now we come to Caravaggio and, ooh, Chiaroscuro,
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the technique of painting dark, dark shadows and...
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Okay, it's not dark, dark shadows if it's complete pitch darkness.
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I'm not afraid of the dark, but we really should turn on some lights quickly.
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Soon.
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Oh, there we go.
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As I was saying, Kiar's guru used dark shadows and lighted areas of interest to create drama.
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Although he didn't invent Kiar's guru,
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Caravaggio added a new level of realism that the church mostly appreciated.
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Except when he portrayed saints as commoners with bare feet and dirty fingernails.
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Caravaggio was a prickly character whose temper often got him into brawls.
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What are you saying? I have temper?
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I don't have got s*** talking about. This is a b****.
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His turbulent lifestyle landed him in an early grave at 37,
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but his style influenced artists across Europe.
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37? I don't f***ing can't even understand this s*** I'm talking about.
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The Baroque era marked the beginning of the landscape as an acceptable subject.
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Once considered too secular,
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painters like Claude Lorrain made landscape painting popular and lucrative.
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A Frenchman who immigrated to Rome, Lorrain was a meticulous draftsman.
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His paintings were based on numerous drawings made on location,
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but he never shows the harsh realities, creating instead an idealized image of nature.
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Though Lorrain often included figures in his paintings, they were always secondary.
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He is reported to say on the sale of a painting,
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The money is for the landscape, the figures you can have for free.
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Peter Paul Rubens was the rock star of the Baroque period.
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A man of boundless energy, he spoke six languages
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and visited the courts of Italy, Spain, France, England, and the Netherlands
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on diplomatic missions, often bringing art as gifts.
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Well, hey, turn that down!
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No, he did not play an electronic lute.
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Rubens lived big and painted bigger.
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Raised as a Catholic, he jumped headfirst into the Counter-Reformation.
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His men were muscular and women robust.
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As we see in this painting, even a subject as touching as the Queen Mother, Marie de' Medici,
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seeking reconciliation with her young son, the King of France, becomes an energetic exercise.
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Like performing one of the labors of Hercules.
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Get me out of here!
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Okay, who hasn't heard of Rembrandt?
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I don't believe it. Go to your corner.
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I'm sorry. Come back.
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Today, one of the most famous painters in the world,
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Rembrandt gained international renown during his lifetime,
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not for his paintings, but for his etchings.
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For Europeans of Rembrandt's day,
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printmaking gave them a way to see pictures of distant places,
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interesting people, and artistic scenes.
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It was their mass communication
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and was as revolutionary for their time
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as the creation of the Internet in ours.
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And for recreation, Rembrandt would...
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Wait for it.
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Sketch.
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That's right.
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About 1,400 Rembrandt sketches survive.
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He would sketch on whatever was at hand.
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The backs of bills, printed pages, and even funeral announcements.
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Must have been a boring eulogy.
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His paintings were in demand as well,
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but perhaps most unique is the number of self-portraits Rembrandt painted.
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Between 40 and 50 oil paintings,
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depending on which expert you talk to,
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32 etchings, and 7 drawings.
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As he aged, his paintings became less theatrical and more introspective.
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Rembrandt had one fatal flaw.
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He couldn't control his spending any better than a Washington politician.
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Eventually, his debts became so great, he had to declare bankruptcy.
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I guess that's why he was Baroque.
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It's Baroque, but he's broke.
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Hey! That outfit cost me a lot of money.
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Begun in the 1700s, the Rococo era was art of the aristocracy for the aristocracy.
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It was the Baroque era ending not with a bang, but with a party.
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Technically flashy, but without deep thought or emotional drama,
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the Rococo celebrated the leisure activities of the upper class.
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In Fragonard's The Swing, as one man labors at pulling the rope swinging the object of his attention,
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the young woman flirts and flounces her skirts for her secret lover hiding in the bushes.
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Hardly the stuff of philosophers.
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Rococo style signaled a shift from Rome to Paris as the new capital of culture and fashion in Europe.
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But the excesses of the aristocracy in the Rococo period would soon lead to the French Revolution,
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an artistic revolt called neoclassicism.
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There couldn't have been two movements more at odds.
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Down, boy, down. Stop it with you.
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Always fighting.
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Neoclassical artists looked backward to the classical era for their inspiration.
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Born in the age of enlightenment, a philosophy which prized reason and scientific knowledge,
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it was a serious time for serious artists.
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In The Oath of Horatii by Jacques-Louis David,
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the three brothers put public duty above private desires as they vowed to fight for Rome.
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For neoclassical artists, there were no messy brushstrokes allowed.
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A finished painting should be perfectly smooth.
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Hmm? Listening? Hand? Paying attention?
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Clear drawing and modeling was paramount, and if you could put someone in a toga, all the better.
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The Baroque, Rococo, and Neoclassical periods included important developments leading to our modern-day art world.
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The first licensed art dealers appeared.
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The market for art widened to include wealthy merchants and government officials, and mass-produced art through printmaking.
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The Royal Academy in London and the Salon in Paris were formed.
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These organizations held regular exhibitions that became the most prestigious art shows in Europe.
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Neoclassical architecture gave us the Pantheon of Paris, the Arc de Triomphe, Buckingham Palace,
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and, over in the New Republic of America, the Capitol Building and the Jefferson Memorial, to name a few.
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The world of Western art was expanding.
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- Subido por:
- Alicia M.
- Licencia:
- Dominio público
- Visualizaciones:
- 95
- Fecha:
- 25 de febrero de 2024 - 9:30
- Visibilidad:
- Público
- Centro:
- IES LA SENDA
- Duración:
- 09′ 17″
- Relación de aspecto:
- 1.78:1
- Resolución:
- 1920x1080 píxeles
- Tamaño:
- 247.42 MBytes