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UNIT 3 EOI C2.1 - Contenido educativo

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Subido el 9 de octubre de 2022 por Adriano F.

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A portion of Unit 3 is dedicated to William Shakespeare. 00:00:00
But how does William Shakespeare contribute to the English language? 00:00:05
There can be no doubt that he has made a profound and immense contribution to the literature and the English language. 00:00:10
William Shakespeare used more than 20,000 words in his plays and poems. 00:00:19
and his works provide the first recorded use of over 1,700 words in the English language. 00:00:26
Many of these words are believed to be his invention, 00:00:35
often by combining words, changing nouns into verbs, adding prefixes and suffixes. 00:00:40
For example, he was the first playwriter using bandit, dauntless, lonely, swagger, downstairs. 00:00:47
For sure, he was also a big fan of suffixes and prefixes. 00:01:01
He is the first writer using an aria, undressed, uncomfortable. 00:01:08
Last but not least, we mustn't forget his contribution to the idiomatic language. 00:01:14
We have many Shakespearean idioms. 00:01:20
One of them is heart of gold, which means a very good and kind person. 00:01:23
Lie low, which means avoid any attention. 00:01:30
I want to lie low after arguing with my wife. 00:01:36
In a nutshell, which means in a few words. 00:01:41
In a nutshell, you have to study for the exam. 00:01:44
Or, wild goose chase, which is a search that is completely unsuccessful and a waste of time. 00:01:50
For example, after two hours spent wandering the snow, I realized we were on a wild goose chase. 00:01:59
Talking about literature, Shakespeare wrote about timeless themes such as life and death, 00:02:08
youth versus age, love and hate, faith and free will. 00:02:14
Today's constantly changing world makes these themes more relevant than ever before. 00:02:21
Similarly, in the world of cinema, the story of Shakespeare has been used time and again 00:02:29
in order to give a different perspective of the world. 00:02:34
Okay, but now let's get back to our student's book. 00:02:42
You're going to read and listen to a scene from the Shakespeare's Macbeth 00:02:46
First, read the information about the play 00:02:51
Here 00:02:54
And answer the questions 00:02:56
1. What is the theme of the play? 00:02:59
2. What does Lady Macbeth persuade her husband to do and why? 00:03:03
In the scene, you're going to read 00:03:09
Where is Lady Macbeth and what is she doing? 00:03:12
pause the video and try to enter. Ready, steady, go. One, political ambition. Two, to 00:03:15
murder the king of Scotland in order to become king himself. Three, she's in her 00:03:39
castle, slip walking. Okay, now read and listen the Act 5, Scene 1. Number the events in the 00:03:46
correct order, from 1 to 7. 00:04:02
3.9 00:04:07
I have two knights watched with you, but can perceive no truth in your report. 00:04:08
When was it she last walked? 00:04:33
Since His Majesty went into the field. 00:04:36
I have seen her rise from her bed, throw her nightgown upon her, 00:04:39
unlock her closet, take forth paper, fold it, write upon it, read it, 00:04:43
afterwards seal it, and again return to bed. 00:04:49
Yet all this while in a most fast sleep. 00:04:52
A great perturbation in nature. 00:04:55
To receive at once the benefit of sleep and do the effects of watching. 00:04:58
In this slumbery agitation, besides her walking and other actual performances, what at any time have you heard her say? 00:05:01
That, sir, which I will not report after her. 00:05:12
You may, to me. At his most meet, you should. 00:05:16
Neither to you, nor anyone, having no witness to confirm my speech. 00:05:20
Lo, you. Here she comes. This is her very guise, and upon my life, fast asleep. Observe her. Stand close. 00:05:24
How came she by that light? 00:05:39
Why, it stood by her. She has light by her continually. Tis her command. 00:05:40
You see her eyes are open. 00:05:46
Aye, but their sense is shut. 00:05:49
What is it she does now? Look how she rubs her hands. 00:05:52
It is an accustomed action with her to seem thus washing her hands. I have known her continue in this a quarter of an hour. 00:05:58
Yet, here's a spot. 00:06:07
Hark, she speaks. I will set down what comes from her, to satisfy my remembrance the more strongly. 00:06:10
Out, damned spot. Out, I say. One, two. Why, then, it is time to do it. Hell is murky. 00:06:18
Fie, my lord, fie, a soldier and a fiat. What need we fear who knows it, when none can call our power to account? 00:06:34
Yet who would have thought the old man to have had so much blood in him? 00:06:44
Do you mark that? 00:06:50
The thane of Fife had a wife. 00:06:51
Where is she now? 00:06:55
What? Will these hands ne'er be clean? 00:06:58
No more of that, my lord, no more of that. 00:07:03
You mar all with this starting. 00:07:06
Go to, go to. 00:07:09
You have known what you should not. 00:07:10
She has spoke what she should not. I am sure of that. Heaven knows what she has known. 00:07:12
Is the smell of the blood still? All the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh. 00:07:19
What a sigh is there. The heart is sorely charged. 00:07:32
I would not have such a heart in my bosom for the dignity of the whole body. 00:07:37
Well, well, well. 00:07:42
Right got it be, sir. 00:07:44
This disease is beyond my practice. 00:07:47
Yet I have known those which have walked in their sleep, who have died holily in their beds. 00:07:50
Wash your hands, put on your nightgown, look not so pale. 00:07:55
I tell you yet again, Banquo's buried. 00:08:00
He cannot come out unscraved. 00:08:04
Even so? 00:08:06
To bed, to bed. 00:08:08
There's knocking at the gate 00:08:10
Come, come, come, come 00:08:12
Give me your hand 00:08:14
What's done cannot be undone 00:08:15
To bed 00:08:18
To bed 00:08:19
To bed 00:08:20
Will she now go to bed? 00:08:22
Directly 00:08:26
Foul whisperings are abroad 00:08:26
Unnatural deeds do breed unnatural troubles 00:08:30
Infected minds to their death pillows 00:08:34
Will discharge their secrets 00:08:37
More needs she the divine than the physician 00:08:40
God, God, forgive us all 00:08:43
Look after her 00:08:46
Remove from her the means of all annoyance 00:08:49
And still keep eyes upon her 00:08:52
So, good night 00:08:55
My mind she has mated and amazed my sight 00:08:58
I think, but dare not speak 00:09:03
Good night, good doctor 00:09:07
if you need you can listen once more okay ready to check the answers okay so 00:09:09
we have the answers two five one four seven three six okay now we check and we 00:09:48
have to look at the highlighted words and phrases in the scene. Match them to 00:10:13
the modal equivalent from the list. Afraid, confused, deeply troubled, disturbed 00:10:20
sleep, evil rumors. It's absolutely right. Listen, look, outside my knowledge, see and 00:10:27
take out. Pause the video and try to match the phrases with the moderate 00:10:36
equivalence. Ready? Steady to see? And now, let's have a look at the answers. Now, 00:10:44
listen to the whole scene again, 3.9 00:10:59
I have two knights watched with you 00:11:04
but can perceive no truth in your report 00:11:24
when was it she last walked? 00:11:26
since his majesty went into the field 00:11:30
I have seen her rise from her bed 00:11:32
throw her nightgown upon her 00:11:34
unlock her closet 00:11:37
take forth paper 00:11:38
fold it 00:11:40
write upon it 00:11:41
read it 00:11:42
afterwards seal it 00:11:43
and again returned to bed. 00:11:44
Yet all this while in a most fast sleep. 00:11:46
A great perturbation in nature. 00:11:49
To receive at once the benefit of sleep 00:11:52
and do the effects of watching. 00:11:54
In this slumbery agitation, 00:11:57
besides her walking and other actual performances, 00:12:00
what at any time have you heard her say? 00:12:03
That, sir, which I will not report after her. 00:12:06
You may, to me. 00:12:10
at his most meet you should 00:12:11
neither to you nor anyone 00:12:14
having no witness to confirm my speech 00:12:16
lo, you 00:12:18
here she comes 00:12:21
this is her very guise 00:12:22
and upon my life 00:12:25
fast asleep 00:12:27
observe her 00:12:28
stand close 00:12:30
how came she by that light? 00:12:31
why it stood by her 00:12:35
she has light by her continually 00:12:36
tis her command 00:12:38
You see her eyes are open. 00:12:39
Aye, but their sense is shut. 00:12:43
What is it she does now? 00:12:47
Look how she rubs her hands. 00:12:50
It is an accustomed action with her to seem thus washing her hands. 00:12:52
I have known her continue in this a quarter of an hour. 00:12:57
Yet, here's a spot. 00:13:01
Hark, she speaks. 00:13:05
I will set down what comes from her, to satisfy my remembrance the more strongly. 00:13:06
Out, damned spot. Out, I say. One, two. Why, then, tis time to do't. Hell is murky. 00:13:14
Fie, my lord, fie, a soldier and a fiat. 00:13:27
What need we fear who knows it, when none can call our power to account? 00:13:33
Yet who would have thought the old man to have had so much blood in him? 00:13:39
Do you mark that? 00:13:44
The thane of Fife had a wife. Where is she now? 00:13:46
What? Will these hands ne'er be clean? 00:13:52
No more of that, my lord. No more of that. 00:13:57
You mar all with this starting. 00:14:00
Go to, go to. 00:14:03
You have known what you should not. 00:14:04
She has spoke what she should not. 00:14:06
I am sure of that. 00:14:08
Heaven knows what she has known. 00:14:10
Is the smell of the blood still? 00:14:13
All the perfumes of Arabia will not sweeten this little hand. 00:14:16
Oh, oh, oh. 00:14:23
What a sigh is there. The heart is sorely charged. 00:14:26
I would not have such a heart in my bosom for the dignity of the whole body. 00:14:31
Well, well, well. 00:14:36
I got it be, sir. 00:14:38
This disease is beyond my practice. 00:14:41
Yet I have known those which have walked in their sleep, who have died holily in their beds. 00:14:44
Wash your hands, but on your nightgown, look not so pale. 00:14:49
I tell you yet again, Banquo's buried. 00:14:53
He cannot come out unscraved. 00:14:58
Even so... 00:15:00
To bed. To bed. 00:15:02
There's knocking at the gate. 00:15:05
Come, come, come, come, give me your hand. 00:15:07
What's done cannot be undone. 00:15:10
To bed. To bed. To bed. 00:15:13
Will she now go to bed? 00:15:18
Directly. 00:15:20
foul whisperings are abroad 00:15:20
unnatural deeds do breed unnatural troubles 00:15:24
infected minds to their death pillows 00:15:28
will discharge their secrets 00:15:31
more needs she the divine than the physician 00:15:34
God, God forgive us all 00:15:38
look after her 00:15:40
remove from her the means of all annoyance 00:15:43
and still keep eyes upon her 00:15:47
so good night my mind she has mated and amazed my sight i think but dare not speak good night good doctor 00:15:49
did you find it easier to understand do you feel sorry for lady macbeth or do you think she got what she deserved 00:16:24
Subido por:
Adriano F.
Licencia:
Reconocimiento
Visualizaciones:
29
Fecha:
9 de octubre de 2022 - 16:57
Visibilidad:
Público
Centro:
EOI E.O.I.DE MADRID-MORATALAZ
Duración:
16′ 37″
Relación de aspecto:
1.78:1
Resolución:
1920x1080 píxeles
Tamaño:
201.60 MBytes

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