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Proyecto CONFYE - Emprendiendo con Estilo - Contenido educativo

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Subido el 27 de noviembre de 2020 por Jestudios ies leonardodavinci madrid

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Vídeo sobre el Proyecto CONFYE (https://asecom.org/proyectos-europeos/confye/) de la familia de Textil, Confección y Piel realizado por alumnado del IES Leonardo Da Vinci y el IES Santa Engracia.

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Hi, she's Angela and she's Nagone and we are here to present you our project Urban Pets. 00:00:00
We have created a textile company focused on people who are fashion and pet lovers. 00:00:30
As pet owners we have detected there's no good garments or accessories for some kind 00:00:36
of pets like big dogs or sphinx cats. 00:00:42
First of all, we prepared a budget to check if our business would be viable. 00:00:45
After that, we wanted to make the most of the knowledge achieved during the studies 00:00:51
of pattern design and fashion, creating a collection based on urban tribes. 00:00:57
Once we developed this idea, we planned to design some accessories like collars, dog 00:01:02
leash, even clothes paired with the owner. 00:01:10
Now we want to show you some of the models that we have created. 00:01:14
For the Sphynx cat we have created a flamingo spin-up t-shirt. 00:01:19
Also we have designed a leopard poon coat. 00:01:27
The dog is wearing a warm hoodie rain coat based on hip hop movement as you can see and 00:01:32
This is a bow-tie collar on Scottish tartan inspired on NERS. 00:01:40
We hope you find our business inspiring and if you are an animal lover you are our future customer. 00:01:49
Hello, my name is Gonzalo Comendador and my final project is based on a personalization 00:01:58
of a high-waist company, but I have taken more to the area of ​​Pret-a-Porter 00:02:03
for the marketing strategy so that the products are affordable at any price. 00:02:10
In this case, I have based myself on two designs to talk about the Erte designer, 00:02:15
who was a great influence on all the fashion of Art Deco. 00:02:22
For more than 20 years, I made, from 1920 to 1937, different covers for the Harper's Bazaar Magazine. 00:02:27
And then, from that, I created this corset that is based on the nakedness of the body and the fit. 00:02:36
And then it reduces the shape to create a 40-centimeter waist with that watch shape. 00:02:45
and it is taken from behind with several ropes. 00:02:53
My second piece of the model is a draped and transformable dress. 00:03:00
Using the zero-waste technique to be able to use the maximum use of a fabric, 00:03:06
a dress is created that gives the illusion that it is completely draped and conjoined 00:03:13
on the sides and at the same time it can be a kimono 00:03:18
the sleeves open in a contrasting tone and transform it completely into a 00:03:23
monkey with all the flight on the side would be totally in the sleeve the neckline is very pronounced 00:03:29
because when it comes to a design for the show, it consists of that characteristic and also 00:03:39
the good thing about it is that, based on the fabric used, it is completely sealed to the body and the 00:03:47
garment comes out very cheap for all the lustrousness that it has at the end. My name is Raúl López, 00:03:54
I have done a project called Queer to Queens, which is based on the culture of balculture and 00:04:02
bogey, which is originally from New York, from the neighborhoods, especially from Harlem, which is a 00:04:08
LGTB movement. My garments, above all, are signed with the name of Damian Balcarcel, 00:04:13
which is in honor of my grandparents. It is the name of my maternal grandfather and the second 00:04:20
last name of my paternal grandfather. And I have made two models. One that is a dress with a 00:04:25
layer that is for the Runway category and another that is for the Bogue with Hands category, 00:04:33
which is the bogey dance but danced only with the hands. In this culture, the different houses 00:04:42
that form them usually compete in competitions for different categories. For example, I have done 00:04:49
for two categories, one that is runway, which would be by runway, which is this model here, in 00:04:55
which I have created a wide layer with a tail so that the dress from inside is not seen until 00:05:01
that the person who shows up wants. I also made some openings in the cover so that 00:05:09
I can take out the arms. The cover is made of a mixture of acetate and polyester. I have used 00:05:17
both the same fabric for the outside and for the inside. The only thing for the inside 00:05:26
I have used the inner part of the fabric. So the outside one has blue reflections and the 00:05:30
inside it has the golden reflections the dress that is underneath is a dress with 00:05:36
seams on both sides I made an opening in the so that it shows the leg and then in the 00:05:47
back I made a neckline pronounced up to the ass more or less and it also has a 00:05:54
tail. Then I have adorned it with some chains and some brooches and this dress is made in 00:06:01
bralette blue night and the lining I have used a tarnished lining too. 00:06:12
So in this category, above all, it is what I have said that the drastic changing of 00:06:19
dress. That is why the layer does not let you see the dress from below. 00:06:24
This model is a model to dance vogue, which is a dance style that is used in this competition. 00:06:31
The peculiarity of this model is that it is to dance it sitting and only with your hands, which is 00:06:38
a type of dance inside the vogue. So I have created a dress more or less simple 00:06:42
with a draping on the chest, a simple skirt with a little flight and then the gloves. 00:06:49
I have created them with something peculiar since they only have the thumb and index finger. 00:06:57
I have sewn them by hand, the part of the hand, and then the forearm part is sewn with 00:07:03
French sewing. The dress is made of crepe satin and the gloves are made 00:07:09
in satin elastic hello I am margarita castro I am going to present you a project carried out 00:07:17
in the santa in grace of patronage and dual fashion this project has been based on 00:07:23
male fashion has served to develop my knowledge about patronage and fashion in a company 00:07:28
such as the english court for this project I have been based on male youth fashion this 00:07:35
the suit comes out of the usual parameters of fashion since it is not a 00:07:41
usual suit as we can see it has a belt 00:07:46
and inside it is all wavy it has a buttoning of crosses and the 00:07:50
flap the pocket and the belt are all 00:07:58
piqueteados to 0.5 in the interior as we can see it does not have lining 00:08:02
Las hombreras también van forradas con poliéster 100% en azul metálico y el pañuelo también es 00:08:09
de este color. Al ser un color marrón clarito le he querido poner un toque de color con estos 00:08:19
complementos en azul metálico. Hola, me llamo Guadalupe Rodrigo Almendros y mi trabajo se 00:08:24
titula Vuelta a la historia y con él tengo el fin de mostrar la visión global de la indumentaria 00:08:31
of the 19th century, dedicating a section to talk about social changes, the appearance of the 00:08:39
high-waisted market, the emergence of new designers and the two great powers of the 00:08:45
time of fashion, France and England. Well, my dress is this, it is a neoclassical dress 00:08:51
belonging to the second half of the 19th century, it is made up of different patterns, a 00:08:59
a long base skirt up to the feet, a body with a square neckline, round sides 00:09:07
and imperial cut and the sleeves are flared. Then it is made in blue velvet, 00:09:14
it is all lined inside and the cover behind here and the bag and the sleeves 00:09:22
are in brocade and then I have made it through the flat machine, the low-emissive machine 00:09:31
and the machine for lining buttons. 00:09:39
Good morning, I come to present my end-of-course project and this consists of creating a company 00:09:42
that makes reused garments from others that have already been made before 00:09:53
to return them to the market, thus saving us the cost of raw material 00:10:00
and contributing as much as possible to the non-degradation of the planet, 00:10:07
given that the textile industry produces too many toxic waste. 00:10:13
My project also carries with it a table of measures 00:10:21
so that my online clients, for example, can identify their measurements 00:10:26
so that I can make the relevant transformations from a distance. 00:10:35
My project would also insist on collecting garments that have come out, for example, 00:10:41
of companies to be able to transform them and return them again to the market with a label 00:10:49
in which it is specified that they are second-hand reused garments. 00:10:56
Well, I am going to present a couple of models that I have made of garments that have already been 00:11:03
reused previously. This, for example, is a shirt with a draped neck and is 00:11:09
taken out of a pair of curtains that we changed and were a little old. 00:11:16
So it is made from a basic pattern 00:11:22
that has later been transformed to be able to make the draped neck. 00:11:25
And in this case, this skirt, first it was a long pants, 00:11:30
then it was a short pants and now it is a canesú of a skirt 00:11:35
which has a fabric of cotton cotton pants 00:11:41
which was previously also used. 00:11:47
Sustainable fashion, eco-fashion, recycled fabrics, 00:11:52
all those terms we are hearing today, 00:11:56
but do we really know what are they talking about? 00:11:58
Did you know that the textile industry 00:12:01
is the second most polluting just after the petrol one? 00:12:03
Hi, I'm Virginia González 00:12:07
and i'm a biologist and a pattern maker and i studied my patronage courses at the santa ingracia 00:12:09
and i did my internship in the technical office of patronage of pedro del hierro 00:12:16
my final project is called sustainable fashion and its application in the old couture 00:12:21
i just wanted to demonstrate that the sustainable fashion can be done at the old couture 00:12:27
just knowing that the catwalks are an important focus for the world to take their attention and 00:12:33
I wanted to be part of it. I discovered that the textile dyeing is a very polluting issue 00:12:39
and all the rivers are dyed with colors and the peoples of the nearby areas are getting ill 00:12:46
because of this and I wanted to put my part of it. I just want to be part of the solution, 00:12:53
not of the problem. This is my project and it makes thinking a low impact material. 00:13:00
50% recycled cotton, 50% linen, and 100% silken leaf. 00:13:09
And it's hand dyed with natural indigo 00:13:16
with the tie dye technique. 00:13:22
All the pieces, I cut all the pieces to the side 00:13:25
to use its natural drop. 00:13:31
And the darts are absorbed for the cut, 00:13:33
So it has a perfect fitting into the feminine body. 00:13:37
I did a lot of prototypes, 00:13:42
drawing with the Electra program, 00:13:44
or that is KGS 11 version. 00:13:46
And I really enjoyed a lot playing with the shapes 00:13:48
and with the cut and doing at the end what I really wanted, 00:13:52
what I was imagining. 00:13:56
But above all, I was giving a sense to my work 00:13:58
because I was making a step, 00:14:01
was making a point regarding sustainable economy, sustainable fashion. But above all I was giving 00:14:04
a sense to my work because I was making a step forward for sustainable fashion. And 00:14:11
it's just the point. You can be part of the problem or part of the solution. 00:14:18
Idioma/s:
es
Autor/es:
Alumnado del IES Leonardo da Vinci y del IES Santa Engracia
Subido por:
Jestudios ies leonardodavinci madrid
Licencia:
Reconocimiento - No comercial - Compartir igual
Visualizaciones:
32
Fecha:
27 de noviembre de 2020 - 19:54
Visibilidad:
Público
Enlace Relacionado:
https://asecom.org/proyectos-europeos/confye/
Centro:
IES LEONARDO DA VINCI
Duración:
14′ 49″
Relación de aspecto:
1.78:1
Resolución:
1920x1080 píxeles
Tamaño:
389.54 MBytes

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