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VICENTE MARTÍN Y SOLER - IES VILLABLANCA - Contenido educativo

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Subido el 6 de febrero de 2022 por Diego D.

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I was born with the name of Anastasio Martín Ignacio Vicente Tadeo Francisco Pelegrín Martín y Soler 00:00:06
in Valencia on the 2nd May of 1754 00:00:12
and I died in San Petersburgo on the 13th of January of 1806. 00:00:15
My father was the tenor of Valencia's cathedral 00:00:21
who initiated me in the musical studies. 00:00:23
Then I was accepted in the cathedral's choir 00:00:26
where I studied until 1764. 00:00:28
After this, I went to Madrid 00:00:32
to have more opportunities for developing my musical career. 00:00:34
Later, in 1774, 00:00:37
I was in charge of composing an opera. 00:00:39
When I finished it, 00:00:41
I represented it at el Palacio de la Granja de San Ildefonso. 00:00:42
Il Tutorio Borlato is a comic opera 00:00:46
in three acts about the Italian libretto 00:00:48
of Filippo Livigno. 00:00:50
The original text was written by Livigno 00:00:52
for Giovanni Paesiello, 00:00:54
who set it to music as a humorous drama. 00:00:55
It was my first opera. 00:00:57
Later, I moved to Naples in 1777 00:00:59
because a close friend convinced Carlos 00:01:01
Before that I was a good composer 00:01:03
So he sponsored me 00:01:05
There I started to compose operas and ballets 00:01:07
With Charles Lepic 00:01:10
A very well known choreographer 00:01:11
I had a very good relationship with the king of Napoles 00:01:13
So much that I was liberated by him 00:01:16
From prison due to my debts 00:01:18
There in Napoles I composed some good operas 00:01:20
Such as Infigenia in Aulis 00:01:24
In 1779 00:01:26
And Andromache in 1780 00:01:28
This last composition is a comedy 00:01:30
that I divided in three acts, 00:01:32
and I wrote it by basing myself 00:01:34
in Zeno's Libretto. 00:01:36
Later I moved again, this time to Vienna, 00:01:37
Holy Roman Empire, where I was very 00:01:40
successful. There I wrote operas 00:01:42
about the text of Lorenzo da Ponte, 00:01:44
who was an Italian poet. 00:01:46
We became excellent friends. Some examples 00:01:48
of those operas are Le Arbore 00:01:50
di Diana and Una Cosa Rara. 00:01:52
Le Arbore di Diana 00:01:55
by Lorenzo da Ponte and me 00:01:56
is also one of the 70 operas produced 00:01:58
at the Burg Theater in Vienna, 00:02:00
under the protection of the emperors José II e Leopoldo II 00:02:02
between 1783 and 1792. 00:02:06
This composition is a drama compound of three acts 00:02:09
very musical and based on mythology. 00:02:12
Una cosa rara brought special interest for several reasons. 00:02:15
It was a work that accumulated the most important characteristics 00:02:19
of the comic opera style of that time. 00:02:22
It is a comic opera that I divided in two acts, 00:02:24
lasting about two hours in total. 00:02:28
Nesta historia, podemos ver, após as complicaciones causadas por la ilusión, 00:02:29
a virtud do protagonista e do chavo sendo imposto. 00:02:35
Unha bonita, pesada moza que rechaza unha poderosa e os seus díos 00:02:38
para que ela seja loyal a ele. 00:02:42
Algo que era moi estranho nesas épocas. 00:02:44
Desde aí, o título Una cosa rara. 00:02:47
A segunda componente do argumento é a chamada para a atención 00:02:50
to the power of the rich 00:02:55
to impose their will 00:02:56
without anyone being able to oppose it. 00:02:58
The work is simple 00:03:01
and has pleasant melodies. 00:03:02
Among the most inspiring moments 00:03:04
are the overture, the first chorus 00:03:06
and the end of at one. 00:03:08
This composition was characterized 00:03:11
because it's an instrumental 00:03:13
and vocal work. 00:03:14
It presents male and female voices. 00:03:16
It has a dramatic character 00:03:18
and a moderato tempo 00:03:19
and a mezzo forte and forte intensity. 00:03:20
Una cosa rara was so famous and good that Mozart used the final melody in his composition Don Giovanni Orso 00:03:22
The melodies I composed were sung as domestic music and there were transcriptions for different instrumental ensembles 00:03:30
Finally, I moved to Russia, more concretely to St. Petersburg 00:03:38
There I was named the opera director of Catalina II of Russia Operas 00:03:42
I composed some things in Russian 00:03:47
and other things about Miguel de Cervantes' text 00:03:49
such as El desgraciado héroe Kosmetovich 00:03:52
in 1789 00:03:55
and others when related to him 00:03:56
such as La festa en Vilagio. 00:03:59
This composition is a comedy 00:04:02
which is about some celebration in the villa. 00:04:03
The marquis will be attending 00:04:07
and will be the generous donor of six gifts 00:04:08
for the celebration of six marriages 00:04:11
including those of the mayor 00:04:13
and the administrator of the villa. 00:04:15
It presents some cordophones and aerophones, with male and female voices 00:04:17
Later, I tried to move again to London, where I had a lot of success with plays such as 00:04:22
La Capriciosa Coreta, that I based on the comedy The Taminous View, by William Shakespeare 00:04:28
He talks about the wealthy merchant Bonario, who has remarried Cipriana, much younger than him 00:04:33
Cipriana's servants Giglio loves and praises what his mistress says 00:04:39
Both the children of the first marriage 00:04:43
Of Bonario, Valerio and Isabela 00:04:46
As well as the servants of the house 00:04:48
Are increasingly desperate 00:04:50
Because of Cipriana out-hand tones 00:04:51
And do not know what to do 00:04:54
Things get more complicated 00:04:56
When Count Lelia falls in love with Isabela 00:04:58
And she reciprocates him 00:05:01
Cipriana, unaware that the Count is in love with Isabela 00:05:03
Starts filtering him 00:05:07
One of the servants, Fiuta 00:05:08
Has taken some initiative 00:05:09
and sexually, trying to get 00:05:11
Cipriana to moderate and stop interfering 00:05:13
and annoying everyone with his whims. 00:05:16
Finally, I returned to 00:05:20
Charles Peterborough, where I spent the last 00:05:21
years of my life, and where I 00:05:23
dedicated myself to teaching music 00:05:25
and composed some not very good 00:05:27
and well-known sacred works, such as 00:05:29
Salve a la Virgen de los Desamparados. 00:05:31
Then, I died. 00:05:33
I was so well-known as Mozart, 00:05:35
but later I was forgotten. 00:05:37
I was buried near the monastery of 00:05:39
San Alejandro Nevitsky 00:05:41
near some important authors 00:05:42
such as Chavosky or Glinka. 00:05:44
In my graceful home 00:05:47
is the following inscription 00:05:48
admired in the main cities 00:05:50
and courts of Europe 00:05:52
for his talent 00:05:53
as well as for his beautiful 00:05:54
and noble moral qualities. 00:05:56
Subido por:
Diego D.
Moderado por el profesor:
Jose Alberto Castillo Pico (jcastillo)
Licencia:
Dominio público
Visualizaciones:
68
Fecha:
6 de febrero de 2022 - 17:44
Visibilidad:
Público
Centro:
IES VILLABLANCA
Duración:
06′ 06″
Relación de aspecto:
1.78:1
Resolución:
1920x1080 píxeles
Tamaño:
114.42 MBytes

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