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Antonio de Cabezón. IES Villablanca

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Subido el 21 de enero de 2022 por Martina G.

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Antonio de Cabezón

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I am Antonio de Cabezón. I was born in Castillo Mota de Judíos, Burgos. My father was Sebastián de Cabezón and my mother was María Gutiérrez, my brother and Diego. Although I was blind at when I was young, it cannot stop me from having a brilliant career in music. 00:00:00
I began music as an organist in the chapel of Isabel de Portugal since February 1538. 00:00:16
In the court, I had the opportunity to know the best of the musical production of that moment, 00:00:23
especially of the Franco-Flemish Follinist, which I adopted numerous models for my works. 00:00:28
My wife was Luisa Núñez and I have five children. 00:00:34
When Isabel de Portugal died in 1539, 00:00:38
when I went to the service of the chapels of Prince Philip and the Infantas Maria and Juana. 00:00:41
At this time, I was living in Madrid, the city where I baptized my son, Hernando, on September 7, 1541, 00:00:46
in the church of San Ginés, when Philip was risen in 1543. 00:00:56
I worked exclusively to his service, so I lived in the court. 00:01:00
I was among the musicians who performed in Salamanca in 1543 at the wedding of Philip and Maria de Portugal. 00:01:03
The court settled in Valladolid, but Princess Maria died in 1545, and the court moved back to Madrid in 1548. 00:01:11
I traveled with the future king on his long journey through Europe, so that during the almost three years I visited various cities in Europe. 00:01:19
When I returned to Spain, I was granted permission to go to my home in Avila. 00:01:27
In July 1544, I became part of the prince's entourage again on my trip to England, and later to the Netherlands, 00:01:31
time accompanied by my brother Juan and my son Agustín. In April my services are required 00:01:39
for the son of Philip II, Charles. In September of that same year my granddaughter Luisa was 00:01:44
born in Ávila. In 1559 Philip established his court in Madrid and I continued working 00:01:50
for him. I was ill on December 1561 and afterwards the king guaranteed me an income in Villanueva 00:01:57
de la Jara Cuenca. My wife and I made the will on October 14 in 1564 appearing as neighbors of Ávila. 00:02:04
Good morning Antonio, how are you? I'm fine sir. Did you remember our trip to Naples? Yes sir, 00:02:13
it was very fun but my favorite trip was when we traveled to Germany. I learned a lot of things, 00:02:21
it was very interesting. My brother Juan was very happy on that trip. Have you ever been to England? 00:02:26
no i haven't would you like to travel with me to london of course although i have a lot of work 00:02:32
these days i'm going to get married to maria tudor congratulations the wedding will be next year on 00:02:38
july so you can't finish your work without hurry okay this marriage is very important for the 00:02:45
crown the portative organ is broken nevertheless my brother can fix it up for the trip that's great 00:02:53
Your brother, Juan, and you will know another culture. 00:02:59
I hope so. 00:03:04
Besides, I have a present for you. 00:03:05
Oh, thank you. 00:03:08
I have bought a dog. However, this dog is very special. 00:03:09
It is a guide dog. Your life is going to be easier now. 00:03:13
I'm very grateful. I'm going to compose a song for your marriage. 00:03:17
That's a good idea, Antonio. 00:03:21
Hello, I am the patron of Antonio de Cabezón. 00:03:24
I am going to talk about the works of Antonio de Cabezón. 00:03:28
Some of his best known works, such as The Difference over the Song, La Dama de la Demanda, 00:03:33
The Canto del Caballero, The Gallarda Milanesa, The Guardamela's Vacas, and The Pavana con su Mucosa. 00:03:42
La Dama de la Demanda. 00:03:51
This work was composed in 1578, at the time of the Renaissance. Antonio de Cabezón used the organ and the harpsichord for his composition. 00:03:52
Canto del Caballero 00:04:07
This work was composed in 1570, at the time of the Renaissance. But this time Antonio de Cabezón used the keyboard and the organ for his composition. 00:04:08
Gallarda milanesa. This work was composed in 1614, twelve years later of his son's death, at the time of the Renaissance. Antonio de Cabezon used the organ for his composition. 00:04:21
Guárdame las vacas 00:04:40
In 15th and 16th century in Spain an anonymous song called Guárdame las vacas was very popular. 00:04:42
The instrument used was the viguela, cabana con su glucosa. 00:04:52
This work was composed in 1557 at the time of the Renaissance. 00:04:58
Antonio Cabezón used the viguela. 00:05:04
Idioma/s:
en
Idioma/s subtítulos:
en
Autor/es:
Martina Granado, Naira Lucero, Nicolás Sánchez
Subido por:
Martina G.
Moderado por el profesor:
Jose Alberto Castillo Pico (jcastillo)
Licencia:
Todos los derechos reservados
Visualizaciones:
67
Fecha:
21 de enero de 2022 - 17:49
Visibilidad:
Público
Enlace Relacionado:
Música
Centro:
IES VILLABLANCA
Duración:
05′ 13″
Relación de aspecto:
1.78:1
Resolución:
1280x720 píxeles
Tamaño:
22.94 MBytes

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